RPG checklist

Jul. 11th, 2025 10:43 pm
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Specifically Fabula Ultima

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Sidetracks - July 11, 2025

Jul. 11th, 2025 06:51 pm
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Sidetracks is a collaborative project featuring various essays, videos, reviews, or other Internet content that we want to share with each other. All past and current links for the Sidetracks project can be found in our Sidetracks tag. You can also support Sidetracks and our other work on Patreon.
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Did Someone Say Pirates?

Jul. 11th, 2025 11:09 pm
[syndicated profile] alpennia_feed

Posted by Heather Rose Jones

Friday, July 11, 2025 - 15:59

When I see pirate novels in the new book listings, I sometimes sigh over how all of them are based on a Hollywood-fantasy version of history. But then, this is part of a grand tradition, because the story we have about Anne Bonny and Mary Read is, itself, a fantasy version of their lives, written within existing fictionalized genres and carefully tailored to audience expectations.

Major category: 
Full citation: 

Klein, Ula Lukszo. 2021. “Busty Buccaneers and Sapphic Swashbucklers” in Transatlantic Women Travelers, 1688-1843 edited by Misty Kreuger. Lewisburg PA: Bucknell University Press.

This article is something of a cross-genre, cross-temporal look at the representation of Anne Bonny and Mary Read as “sapphic pirates” and what part their stories have played within the constructed image of 18th century piracy and colonialism. (The introduction makes reference to their appearance in the video game Assassin’s Creed IV as well as the tv series Black Sails, and these depictions are also referenced later in the article.) It should be emphasized that pretty much everything we know about them has come through dubious sources created as both entertainment and as cultural propaganda, so while there is no doubt of the historic existence of the two women, the specific details that we “know” about them are of questionable historicity.

The women’s stories combined a number of established tropes prevalent in 18th century literature and media: the cross-dressing warrior, criminal biographies, and sexual narratives. These motifs are trans-national and typically work to “other” the women involved in order to comment on (and police) ideas about the role and proper place of women. As pirates, they participate in a culture defined by movement, independence from law and nationality, adventure, and danger. Standing outside social norms along several axes, their transgressive gender and sexuality in the stories are available to be viewed as entertainment, rather than a challenge to those norms. At the same time, certain elements of the stories strengthen and emphasize those norms and work to integrate the two women into a racialized image of white femininity even as they perform masculinity. In this, they illustrate the assimilation of pirate culture into a fictionalized world of (predominantly) white adventure and freedom.

The article gives the background of what it refers to as the “transatlantic” world and its relationship to, and contrast with, national structures and cultures. It also gives a brief background to the publication General History of the…Pyrates in its several editions by Charles Johnson, which is almost the sole source for information about Bonny and Read. The work was first published in 1724 and then republished across the 18th century with increasing modifications to the content. The initial edition appeared very soon after B&R’s convictions for piracy in 1720 and was based on the official trial report, as well as contemporary reporting. But even this earliest version, which can be suspected to be the closest to reality, includes details not present in these sources, including “origin stories” (a motif not included for any of the other pirates discussed in the publication) that parallel stock passing woman biographies, in which they are said to have cross-dressed as girls for somewhat implausible reasons. Due to the questionable veracity of the biographical material, the present article focuses solely on the narratives present in the General History. In particular, the article examines how the narrative emphasizes and supports their status as women and thus—despite the hints at homoerotic possibilities—situations them within a solidly heterosexual framework.

This work flourishes during a transition period in fictions of female adventure, between the adventurous heroines of Defoe and Aubin and the less transgressive ones of the later 18th century. They are allowed to represent themes of “female autonomy…[and] ambiguous virtue.” They are agents in their own stories, in contrast to the status of most women, constrained whether by class or propriety. Their stories can be compared to military passing women such as Hannah Snell, with B&R status as vicious outlaws contrasted with Snell’s image as a heroic and patriotic soldier. These differences stem, in large part, from their participation in pirate culture, even when the shape of the narratives parallel stories not involving outlaw status.

Both women were said to have begun cross-dressing at a young age, at the guidance of their mothers, and for deceptive purposes. Both were stymied in their ambitions by both gender and class and leveraged gender disguise to seize opportunities: Read volunteering as a sailor, in which context she was then briefly married to a fellow soldier, and Bonny to leave a problematic marriage and join Jack Rackam’s pirate crew in male disguise (with his knowledge). Both are framed as brave, fearless, and comfortable with violence. Although the initial version of the text indicated that Rackam purchased Bonny from her husband, later versions suggest that she was the one who arranged the move, reinforcing the image of agency.

The stories about the two women created a probably-invented contrast, with Read being the “virtuous” one, not entirely enthusiastic about pirate life but constrained by necessity, and Bonny being volatile and vicious, embracing piracy eagerly, and constantly contemptuous of men who she considered less able and bold than her. Neither woman is depicted as being subjected to an ultimate punishment for her deeds, with Read dying of illness in prison before sentencing and Bonny—after a temporary reprieve due to claiming pregnancy—was not executed but simply disappears from the historic record.

Despite Bonny and Read’s stories being firmly rooted in heterosexual partnerships with men, they are presented narratively as a pair and their interactions with each other are told more vividly than those with their male partners. The anecdote of particular interest to the Project occurs when Read first joins Rackam’s crew, when both women are presenting as men, and only Rackam knows Bonny’s underlying sex (and not Read’s). Although, textually, the interaction does not proceed to an erotic encounter, the reader not only is offered that as a possibility, but is relied on to consider it as legible and possible. This legibility is bolstered by the standard tropes of cross-dressing narratives (both those purporting to be biographical and those in outright fiction, especially in theater) in which the existence of a cross-dressed woman (much like Checkov’s gun) heralds an evitable incident of mistaken desires.

Bonny, supposedly believing Read to be a man, desires her and makes an advance. The truth of her motivations is made somewhat ambiguous by the phrase “for some reasons best known to herself” rather than describing the purpose as directly sexual. Read, supposedly believing this to be a (male) homosexual advance, deflects it. Bonny then reveals her sex to Read. At which Read reveals her own sex and the momentary erotic potential is converted into humor. The text notes that Read’s motivation to this deflection of the sexual advance is due to “being very sensible of her own incapacity in that way,” that is, knowing that she couldn’t “play the man” for Bonny, but with no overt indication that the idea itself was objectionable. Thus, on both sides there is an implied possibility of sapphic desire, carefully obscured by the ambiguities of disguise. After this mutual revelation, evidently their behavior toward each other changed sufficiently to arouse Rackam’s jealousy, forcing them to let him in on Read’s secret.

[Note: I’m going to summarize a little out of order in the following.] Both women have established heterosexual bona fides before this encounter: Read with a Flemish soldier, to whom she covertly revealed her gender, and Bonny via her initial abandoned marriage and then her relationship with Rackam. Both women are described as having other covert erotic encounters with men while still maintaining their gender disguise, but always with a gender reveal as preliminary. In these other encounters, the women reveal their gender by exposing their breasts “which were very white.”

Klein follows up in detail on one aspect of how this breast-revealing described: the whiteness of the breasts involved. This, Klein argues, is a key signifier that allows the audience to identify with the two women as characters worthy of freedom and agency, within the multi-ethnic (and racially stratified) transatlantic world. Their possession of white breasts establishes them firmly as women, and as acceptable sexual agents within the otherwise all-male pirate milieu. And the emphasis is not simply on having breasts (which one might think was sufficient to establish female identity) but on having breasts which signaled a specific ethnic and even class status.

This identity then provides the titillating contrast between B&R’s courageous and violent behavior (coded masculine) even as they are able to use their feminine status strategically (including after capture when they were able to invoke the possibility of pregnancy to defer judgment). But this strategy—as well as their acceptability as romanticized protagonists—rested strongly on whiteness and in turn served as part of the process of establishing the pop culture version of the golden age of piracy as a white domain, in contradiction to historic reality.

The article concludes with a discussion of the treatment of Bonny and Read in various modern media depictions, including leaning in to the sapphic potential.

[Note: Blogging this article has inspired me to track down the original source materials for what we “know” about Bonny and Read and I’ll put together an entry about that in the near future.]

Time period: 
Event / person: 

My Worldcon Schedule

Jul. 11th, 2025 03:44 pm
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[personal profile] hrj
The Worldcon programming schedule is out and I'm on a number of interesting panels.

Wed Aug 13 - Horrible Histories: A Way to Make Learning about History Fun (Room 343-344)

A discussion about shows, podcasts, and other media that help make learning about history fun. After all, it isn’t just lists of numbers and names! How do you take that dry text and make it engaging enough to reach an audience that isn’t necessarily interested in history?

Thu Aug 14 - Medieval Characters—Women Authors (Room 420-422)

A look at the legacy and influence of Marjorie Kemp, Christine de Pisan, Marie de France, Hildegard of Bingen, the anchorite Julian of Norwich, and more. Their works continue to have relevance today.

Fri Aug 15 - Conlangs 101: How to Get Started Making Your Own Language (Room 322)

Building language goes beyond just putting funny sounds together or making a word that looks cool. Learn what’s needed to make a basic constructed language and how to find the resources and tools to get started in language creation.

Plus autographing on Fri Aug 15 at noon, a (limited attendance) table talk on Sun Aug 17 at 9am and...

Hugo Awards Ceremony - Sat Aug 16 (time TBA) where I will be trying not to chew too hard on my fingernails as I wait for the Best Related Work category to come up.

More details on my blog: https://alpennia.com/events/worldcon-seattle

My Worldcon Schedule

Jul. 11th, 2025 10:41 pm
[syndicated profile] alpennia_feed

Posted by Heather Rose Jones

Friday, July 11, 2025 - 15:41

Planning to be at Seattle Worldcon? Want to know what I'm doing there? Check out my schedule!

Logo for Seattle Worldcon
Major category: 

Demonic Ox arrives today!

Jul. 11th, 2025 11:29 am
[syndicated profile] lois_mcmaster_bujold_feed
The newest Penric & Desdemona e-novella, "The Adventure of the Demonic Ox", is being uploaded today. The time for an upload to penetrate the system varies wildly, from an hour to a day, but I'll post direct links here as each of our 5 vendors goes live.

Amazon Kindle is first out the gate:

https://www.amazon.com/dp/B0FHBMR3DN

Not yet up, but pending:

Kobo, Google Play Books, and Apple Books are interesting if you search by my name, because they each carry so many foreign language titles, if you scroll down. (Amazon ditto, I suppose.) These pages should populate in due course, though it may take a while for a new entry to sift to the top:

https://www.kobo.com/us/en/search?que...

https://play.google.com/store/info/na...

https://books.apple.com/us/author/loi...

B&N Nook, same deal:

https://www.barnesandnoble.com/s/lois...

To recap:



The Adventure of the Demonic Ox

When sorcerer Learned Penric hears of the suspected demonic possession of an ox at his brother-in-law’s bridgebuilding worksite, he thinks it an excellent opportunity to tutor his adopted daughter and student sorceress Otta in one of their Temple duties: identifying and restraining such wild chaos elementals before harm comes to their hosts or surroundings.

What begins as an instructive family outing turns anything but routine when a mountain search becomes a much more frightening adventure for Penric and his charges. What is undergone there by both mentor and students will yield lessons both unexpected and far-reaching.

***

I'll make my usual spoiler discussion space post tomorrow, for the speed readers.

As always, reader mentions of the new title out and about on the internet and elsewhere are always greatly appreciated, as this blog and word of mouth are the only advertising my indie books get. Amazon always gets plenty of reviews; the other vendors are usually more in need. But no one will see any vendor pages unless they've already heard of the story someplace else, and go to look, so outside reviews and mentions are especially important.

Ta, L.

posted by Lois McMaster Bujold on July, 11
oursin: Drawing of hedgehog in a cave, writing in a book with a quill pen (Writing hedgehog)
[personal profile] oursin

This time it was online, in Teams, and worked a bit better than some Team events I've attended, or maybe I'm just getting used to it.

A few hiccups with slides and screen sharing, but not as many as there might have been.

Possibly we would rather attend a conference not in our south-facing sitting-room on a day like today....

But even so it was on the whole a good conference, even if some of the interdisciplinarity didn't entirely resonate with me.

And That There Dr [personal profile] oursin was rather embarrassingly activating the raised hand icon after not quite every panel, but all but one. And, oddly enough, given that that was not particularly the focus of the conference, all of my questions/comments/remarks were in the general area of medical/psychiatric history, which I wouldn't particularly have anticipated.

[syndicated profile] asknicola_feed

Posted by Nicola Griffith

Square blue graphic of a novel, Ammonite by Nicola Griffith, and text reading "Ebook Deal $1.99, today only"
One-day only sale of Ammonite

Apple Books | Amazon | Barnes&Noble | Google Play

Ammonite was my first novel.

  • “Ammonite, by Nicola Griffith, is the first novel of a major talent.” — Denver Post
  • “Uncompromisingly packed with non-dogmatic feminist and queer ideologies… Griffith reveal[s] herself to be fluent in presenting realistic science and its implications, capable of cinematic clarity in her prose, insightful with emotions and character.” — Washington Post Book World

It was a cut-rate little mass market paperback original, with no publisher support and zero marketing or publicity budget—in the days before social media. Yet it won a boatload of awards and was named on Esquire‘s Best Science Fiction of All Time.

  • “Gripping and gutsy, rich in layers of feminist and queer thought, Ammonite gleefully throws a stick of dynamite into the sci-fi firmament.” — Esquire
  • “Ammonite is utterly believable, and at times heart-wrenching in its emotional power; the characterisation is impeccable.” — New Statesman and Society
  • “Ms. Griffith is an astonishingly gifted writer… Her work is of the very best in the lesbian and gay literary field.” — Allen Ginsberg

Curious about why I’ve been inducted into the SFF Hall of Fame?

  • Ammonite is a self-assured, unselfconscious, convincing depiction of a world without men…doing what only SF can do, and doing it with skill and brio. It answers the question ‘When you eliminate one gender, what’s left?’ (‘A whole world,’ is the answer.)” — Ursula K. Le Guin
  • “Nicola Griffith’s first novel, Ammonite, flies all the banners of traditional sf but beneath the banners, it is armed to the teeth against convention.” — Interzone

Why I was recently honoured as the 41st Damon Knight Memorial Grand Master?

  • “Ammonite represents a major, no, make that a revolutionary change…a remarkable departure from the commonplace.” — Locus
  • “A serious assault on conventions so enormous that it is very much more dangerous, sometimes, than writing about lesbianism.” — Dorothy Allison
  • “Pays homage to Ursula K. Le Guin’s Left Hand of Darkness without inviting invidious comparisons.” — New York Times Book Review

Well, this is where it all began.

  • “Probably the best debut novel of the year—an accomplished, moving, intelligent, and graceful examination of gender roles, and a helluva good read.” — The New York Review of Science Fiction
  • “Pays homage to Ursula K. Le Guin’s Left Hand of Darkness without inviting invidious comparisons.” — New York Times Book Review

So here’s your chance to try it—for just $1.99—today only. All US platforms (maybe Canada too, but you should check that). If you’ve already read it, buy it for a friend. Perhaps they’re curious, too…

Bookshop.org | Apple Books | Amazon | Barnes&Noble | Google Play

  • winner, Tiptree award
  • winner, Lambda Literary Award
  • winner, Premio Italia
  • runner up, Locus First Novel Award
  • shortlist, British Science Fiction Award
  • shortlist, Arthur C. Clarke Award
  • Esquire, Best 75 Sci-Fi Novels of All Time

Apple Books | Amazon | Barnes&Noble | Google Play

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New Dawn requires only that people conform without exception or face memory erasure and worse. Yet, a minority insists on being individuals.

The Memory Librarian by Janelle Monáe

(no subject)

Jul. 11th, 2025 09:03 am
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[personal profile] oursin
Happy birthday, [personal profile] emperorzombie!

Connexions (26)

Jul. 11th, 2025 07:41 am
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[personal profile] the_comfortable_courtesan
Had two missions to undertake

Polly, Dowager Lady Fendersham, could scarcely believe it. It was only days now before she would embark, along with that excellent fellow Cyrus Enderby and that still rather annoying young man the Honble Simon Saxorby, bound for Peru. And after so many years would see dear Christie, that had been doing well in the Consular Service at Lima, and the wife he had lately wedded. It was quite extraordinary.

But before she left, she had two missions to undertake.

She was staying with the Wallaces, the dear hospitable creatures, and most fortunate, Bobbie and Scilla had just lately returned from visiting Firlbrough to sound out the feeling there in advance of the anticipated General Election.

Also staying with the Wallaces, a much unwanted guest, was her stepson, Lord Fendersham, that continued to linger in Town even though Lady Wauderkell had gone on a retreat in a convent.

Polly had almost immediate upon her arrival in Town gone seek out Lady Bexbury, that she fancied would have the most useful intelligence upon this matter, and she was not in the least deluded.

Why, said Lady Bexbury, pouring tea, and drawing Polly’s attention to the cake-stand, I confide she continues to reside there because Lord Fendersham is unlike to venture within a league of a nunnery. And while I daresay the accommodation may be a little austere, and the food somewhat plain, 'twill all be a great improvement over Newgate. Furthermore, I apprehend from my friend that is a sister in the convent that she takes up her pen once more –

Polly groaned.

– takes up her pen to write improving tales for young people of the childhood of various saints, that will be published and sold for the benefit of the convent. So she is not idle – attends the various offices during the day – has had several visits from her cousin from Cork with a view to settling their legal difficulties – passing the time really quite agreeably until the evidence comes from Chicago confirming O’Neill’s previous marriage so the case can go to court.

One hears, she added, that there is an antient suitor in Cork that is now a widower still yearns

Polly snorted. One might suppose she had had quite enough of marriage.

Lady Bexbury raised her eyebrows and remarked that one must only suppose that with some, 'twas like unto a laudanum habit, a craving that they could not resist.

So she was able to go to Andrew, armed with this intelligence, although she intended to present him first with an appeal to duty. For had been approached by various neighbours and local dignitaries discreetly asking when Lord Fendersham was going to return and put matters in order, and with an election forthcoming, surely 'twas prudent that he should be at home.

For indeed, at present Fendersham Hall was a scene of riotous living by Drew Fendersham and his cronies. There was not a great deal of harm in Drew himself, but Polly did not feel so sure about some of the set that gathered about him. There was a deal of drinking, and while at first they had been engaged in the usual country pleasures, as far as the season permitted, latterly there had been a resort to cards as well as billiards, and, she feared, high play.

There her stepson was, sitting reading the Times with an expression of great disapproval, though indeed that was his normal expression. As he grew older he came to look a deal more like her late husband, but he had never had such sour looks. Oh, he had taken pets when he thought some fellow or other was showing Polly undue attention, and in his later years when he became invalid was wont to be fussy and demanding. But he had taken pleasure in life, simple though his pleasures were – give us a jolly tune, Poll! – and while he had not had particularly sensitive feelings, had been within his limits, kind.

Her stepson had been conscientious, and ever done the proper things, before this recent upheaval, but she had never felt that there was kindness.

She sat down opposite him and decided to go straight at the point. Everybody has been asking when you intend to return to Fendersham Hall and take matters in hand, she said. Your presence is considerably missed in local affairs as well as about the business of the estate. Drew is entirely irresponsible and treats the house as an inn, inviting who knows what chance-met boon companions under your roof.

He looked up from the newspaper and blinked at her.

I have been doing what I can, but I am going to Peru to visit Christie, that I have not seen these many years. And there is a deal that only you can attend to. Your father, she added, may have been given to self-indulgence – had not the present Lord Fendersham expatiated upon this theme to his father’s very face? – but did not neglect the duties of his position, even did he undertake 'em with a deal of sighing and groaning.

Fendersham emitted a sound somewhere 'twixt a moan and a whine. Then said that felt obliged to remain in Town lest Lady Wauderkell should need him –

Lady Wauderkell, said Polly, managing not to snap out the words, is very comfortable in the convent – you must not at all imagine a grim cell – bread and water – kneeling on hard stone. I have been assured that the guest quarters are entire what one would desire. She was not conveyed there by sinister monks directed by a conniving Jesuit priest, and is under no kind of duress. She has chosen to stay there now that she, as one understands, returns to the faith that she was brought up in.

Profound groan from her stepson.

Furthermore, there is a cousin from Cork comes to Town, about some matter to do with their business there, and is entire willing and competent to look after her interests – prepares to come to a compromise in the lawsuit &C – offers that is there aught he may do to assist her suit in this case of bigamy he is entire at her disposal –

Further groans.

Really, Andrew, I am astonished the Wallaces have not dosed your tea with laudanum and bundled you on to the next train going north, under care in the guard’s van! 'Tis a shocking abuse of hospitality the way you linger here.

He flushed. Really, he did not look at all healthy. Town life did not suit him. And was he literally pouting?

She left him to seethe and brood.

Her other mission was a good deal more agreeable! And it was a very agreeable jaunt out there in the carriage that the Wallaces had insisted that she took. She had no particular qualms about how Una Wallace did in the Ferraby household – would doubtless have heard was there any matter of illness – but still, she would like to be assured that the girl was doing well, for it must be a considerable change for her.

Indeed, Blackheath, though fine and green and leafy, and sure far more healthful than Town, was very different from a farm in Nova Scotia! And one must wonder how Una, that had been brought up among older people, got on now she was with the boisterous Ferraby girls and going to school.

Here they were, at this very fine house in excellent grounds that the Sir Harry Ferrabys occupied. And quite running out to greet her Lady Louisa, in very merry mood.

O, Lady Fendersham – oh, Polly – such a pleasure to see you! The girls are in the garden, a-romping with the little boys, so very pretty, come see.

So Polly stepped down from the carriage, and Lady Louisa instructed the coachman where to go, and then to go to the kitchen for refreshment.

Peru! she cried. So venturesome of you – Josh has been in some envy of the excursion –

Fie, said Polly, one apprehends that Lima is a fine modern city, I have no intention of making expeditions into forests and jungles, will leave that to Mr Enderby and his young apprentice.

Are there not, murmured Lady Louisa, enormous snakes in those parts that are said to swallow animals whole? and might one ingest Simon Saxorby? A very annoying young man.

O, he is somewhat improved though now will bore one quite like unto Mr Nixon about Peru and its history and its fauna &C.

Lou giggled.

They came out into the garden, where Hester and Maria Ferraby along with Una were playing at catch with their little brothers Hal, that was already breeched, and Gervase, that was still in dresses, though looking at him, Lou sighed that 'twas nigh time to cut those curls and put him into breeches.

Polly sighed too, thinking of the day when she had performed the like for Christie.

Quite letting fall the ball in her to come running up and embrace Polly, Una Wallace. Most delightful! For Una had been wont to be a little reserved and shy, one dared say that being among the Ferrabys had perchance given her easier manners than those she had learnt from Barbara Collins, that, though a very fine woman, had learnt hers in an earlier day, so that they showed somewhat of a stiffness in a child of Una’s years?

Oh, Auntie Polly, how exceeding! Do you come a long visit?

Polly looked down into the dark eyes, noting the healthy rose that had come to her cheeks – the gloss of the dark hair – one need be in no concern at all about the sanitive benefits of her present residence.

Alas, said Polly, stooping to kiss her, I only came for this very afternoon – am about to depart for Peru to visit my son, and his wife, that I have never yet met –

Una’s mouth drooped a little, before she straightened her shoulders and said, they would go look that up in the big atlas – study upon it mayhap –

The Ferraby sister came up to shake hands and make their curtseys and demonstrate that they were not, as their mother sighed, quite wild savages. Hal essayed a bow.

Came out of his workshop Sir Harry, and Una turned to him with a smile, that was warmly returned.

Here, said Sir Harry, is Miss Wallace shows a deal of interest in engineering.

Well! No, one could not have the least worry about Una, in this place. Little Gervase, clutching her hand – It was well.

sovay: (Rotwang)
[personal profile] sovay
It was helpful of Adrian Tchaikovsky's Elder Race (2021) to include a dedication to its inspiration of Gene Wolfe's "Trip, Trap" (1967), since I would otherwise have guessed Le Guin's "Semley's Necklace" (1964)/Rocannon's World (1966) as its jumping-off point of anthropological science fiction through the split lens of heroic fantasy. As far as I can tell, my ur-text for that kind of double-visioned narrative was Phyllis Gotlieb's A Judgment of Dragons (1980), some of whose characters understand that they have been sucked down a time vortex into the late nineteenth century where a dangerously bored trickster of an enigmatically ancient species is amusing himself in the Pale of Settlement and some of whom just understand that Ashmedai has come to town. I got a kind of reversal early, too, from Jane Yolen's Sister Light, Sister Dark (1988) and White Jenna (1989), whose modern historian is doomed to fail in his earnest reconstructions because in his rationality he misses that the magic was real. Tchaikovsky gets a lot of mileage for his disjoint perspectives out of Clarke's Law, but just as much out of an explanation of clinical depression or the definition of a demon beyond all philosophy, and from any angle I am a sucker for the Doppler drift of stories with time. The convergence of genre protocols is nicely timed. Occasional Peter S. Beagle vibes almost certainly generated by the reader, not the text. Pleasantly, the book actually is novella-proportioned rather than a compacted novel, but now I have the problem of accepting that if the author had wanted to set any further stories in this attractively open-ended world, at his rate of prolificacy they would already have turned up. On that note, I appreciated hearing that Murderbot (2025–) has been renewed.

Things happening this week

Jul. 10th, 2025 07:32 pm
oursin: Brush the wandering hedgehog dancing in his new coat (Brush the wandering hedgehog dancing)
[personal profile] oursin

For the first time in forever I have been making The Famous Aubergine Dip (the vegan version with Vegan Worcestershire Sauce, I discovered the bottle I had was use by ages ahead, yay). This required me acquiring aubergines from The Local Shops. There is now, on the corner where there used to be an estate agent (and various other things before that) a flower shop that also sells fruit and vegetables, and they had Really Beautiful, 'I'm ready for my close-up Mr deMille', Aubergines, it was almost a pity to chop them up and saute them.

A little while ago I mentioned being solicited to Give A Paper to a society to which I have spoken (and published in the journal of) heretofore. Blow me down, they have come back suggesting the topic I suggested - thrown together in a great hurry before dashing off to conference last week - is Of Such Significance pretty please could I give the keynote???

Have been asked to be on the advisory board for a funded research project.

A dance in the old dame yet, I guess.

[syndicated profile] lois_mcmaster_bujold_feed
So...

The Vorkosigan novella "The Flowers of Vashnoi" has not been available in a paper version since the Subterranean Press edition sold out. The novella "Winterfair Gifts" has had only scattered paper publication, not easy to find. (Both, of course, are continuously available under their own titles as my indie ebooks, or audio downloads from Blackstone.)

Neither would be economically viable for any pro publisher to handle, but it occurred to me they'd be just the thing to add to my little list of print-on-demand paper editions, including The Spirit Ring and "Knife Children". So I've put them together in a single PoD volume, to be titled Two Tales.

Experience with the long-time reader confusion over the novella "The Borders of Infinity" and the 3-novella collection it's in, Borders of Infinity, made me try to label this paper mini-collection as clearly as possible. We'll have to see how it works out. I'm not yet sure how to make it searchable under either of the novella titles, which is what I suspect most people would first be looking for.

Anyway, I asked artist Ron Miller to do us a cover in the style of my other indie VK ebooks, and here's a sneak peek:



When this paper-only edition becomes available to buy, later this summer, I'll post the ISBN number, which should helps folks trying to order it through bookstores. (Uncle Hugo's will certainly have it; they also carry the other two of my PoDs.)

Ta, L.

posted by Lois McMaster Bujold on July, 10

The Big Idea: Sara Omer

Jul. 10th, 2025 03:30 pm
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Posted by John Scalzi

When you see a possibly terrifying mythical creature, is your first thought, I’m totally gonna pet that? If so, then Sara Omer, author of The Gryphon King, might have something in common with you.

SARA OMER:

At its core, The Gryphon King is about a horse girl on a quest for vengeance versus a man with cat-related PTSD. But before I can get into the infernal horse and lion biology at play, I have to gush about the monster-riding story more generally.

Just as children wish for puppies, children reading fantasy books wish for dragons. The unbreakable bonds between fire-breathing beasts and reluctant heroes populate epic fantasy stories, but if giant flying lizards aren’t your style, there’s any number of mythic monsters that might be mountable (monster romance implications of that statement aside). I love a dragonrider story as much as the next person, probably more than most people, but there’s a whole ecosystem of underutilized fantastic monsters out there that deserve some time in the spotlight. In the empire of Dumakra in The Gryphon King, there is at least one stable full of flying horses that didn’t ask to be ridden into battle or form lifelong bonds with power-hungry morally gray disaster princesses, but we can’t always fight the fate we’re dealt.

Growing up, having my own horse was as much a fantasy as having my own dragon, but I like to think I lived a tangential horse girl experience. I wasn’t yet in kindergarten when I learned to ride horses, taught by the grandfatherly carriage driver Mr. “Grandpa” Clint, who drove his carriage around the town square. After learning how to drive a carriage at an age that was definitely not road legal (to the chagrin of many other children), Grandpa Clint taught me how to ride a horse at his stable. The horse for the job was an ancient old white gelding living a life of comfort in retirement, and who I enthusiastically urged to a flying gallop my first time on the trail. I had a wonderful time as my mom and Mr. Clint raced after, concerned I would be terrified or die, probably. Surprise, I lived. I think everyone should experience that exhilaration, and a few hundred feet off the ground while you’re at it.

I had a formidable collection (army) of Breyer horses, although unlike Nohra in The Gryphon King, I didn’t grow up with an imperial stable. But some family friends had their own horses and boarded them nearby. Sometimes I would get to go ride or hang out at the stable and in the pastures. Rambo, their stubborn paint gelding, was barely tall enough to even be considered a horse rather than a pony, and I vividly remember a time he got kicked, presumably for being an asshole, and the bloody branding of the hoof that slowly healed. For this and other reasons, I’m convinced every horse is a little like a dragon.

There are multiple breeds of mythic horses I added to the bestiary that is The Gryphon King. Because why stop at sky horse when you can have water horse? And when I really got to thinking about the biology of pegasuses, I wanted to explore their avian side. What better way to celebrate the incredible Eurasian horses and the birds of prey in the region than combine them into one omnivorous monster that has an appetite for blood? As if horses weren’t already dangerous enough, now they really, really want to eat your fingers and the barn cats. And—oh, look—the battlefield became good grazing once the fighting’s quieted down. Really, pegasuses are a little terrifying, and they’re not even the most threatening strain of horse in Dumakra.

The moral is that if you make a bird big enough, humans begin to look like the small animals scurrying through the tall grass, evading tooth and talon. And what’s more terrifying than horse-eagle? Lion eagle.

I have utmost respect for anyone who can make a big cat with a massive wingspan seem docile and friendly; I just think, considering the injuries a falconer could incur and compounding those with what might befall your average lion tamer, you should have to sign a few release waivers to approach a gryphon.

Maybe I made all my animals ferocious because nature is ferocious and dangerous, and when people play at power, they don’t come close to the might of beasts. But their actions have often irreparable impacts on nature nonetheless.

Fear and respect can coexist. Add a little human curiosity, and I would never fault anyone who decided to ride a murder horse. The Gryphon King is for the readers who would go out of their way to pet a man-eating monster, who would risk it all to bond with a creature that could kill them a few different ways on purpose or by accident—I’m a little scared for your wellbeing, but I respect the drive and share the dream.


The Gryphon King: Amazon|Barnes & Noble|Bookshop|Powell’s

Author Socials: Bluesky|Instagram|Twitter

Starling House by Alix E. Harrow

Jul. 10th, 2025 08:53 am
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Desperate to pay her brother Jasper's way out of Muhlenberg County, Opal accepts a job at an infamously cursed mansion.

Starling House by Alix E. Harrow

(no subject)

Jul. 10th, 2025 09:45 am
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Happy birthday, [personal profile] azara1, [personal profile] hawkwing_lb and [personal profile] mmestrange!

Connexions (25)

Jul. 10th, 2025 08:37 am
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[personal profile] the_comfortable_courtesan
Brought up in Town Society from their earliest years

O, Verena – Verena, Countess of Imbremere, wife of Augustus, Earl of Imbremere that was the heir to the Marquess of Offgrange – had loved the Ukraine and the wide estates of her real father Count Rozovsky. She had not even minded the long winter and the deep snows &C, had quite relished 'em! Sleighrides through the forests &C –

And had not been idle, for while dear Gussie had been following in his father’s footsteps by studying upon the botany of those parts, she had begun learning the local tongue, and talking to the maidservants &C. While doing this, had come across the folktales of those parts, that she put herself to gathering, and also some of the songs. Finding her doing this, her father had sent for ancients from the villages thereabouts, and now she fancied she had quite enough to put together in a pretty volume when they returned to Town.

But much as they had enjoyed their time there and the more than generous hospitality, as it came towards spring, Rozovsky had groaned and declared that he supposed he should be making his way to St Petersburg – where one of his sons was in the Imperial Page Corps –

Gussie had sighed and said, had been thinking himself that they should be on their return to England. Sure his father was by no means old and in the halest of health, but news took a deal of a while to reach 'em where they were.

So they had all come to an entirely amicable agreement that the party should break up, and that Gussie and Verena were ever welcome, and Gussie extended a mutual invitation to come visit Dambert Chase was Rosovsky ever in England.

They decided to travel back southwards, by way of the Mediterranean – let us, Gussie remarked, make this a really extensive honeymoon voyage – have we not been quite exhorted to call at Lady Bexbury’s villa at Naples? – that indeed seemed a very pleasing prospect.

And here they were, so much sunlight, thought Verena, as she sat upon the terrace of the Villa Bexburi, looking over its magnificent vista of the Bay of Naples.

Had not quite anticipated to encounter the company they found there: here was Emma Reveley, that was, had married that most romantic figure, Bernardo di Serrante, half of antient Neapolitan aristocracy and half of Boston Quaker breeding, that one had heard had fought with Garibaldi in ’48, but now turned to the arts of peace and studied with the agrarian reformer, Marcello Traversini. Nardo was, she supposed, some connexion of her own? for was the son of Reynaldo di Serrante that was her elder sister Cara's father. 

La, Signore Traversini was not the vision one conjured up when thinking agrarian reformer! Not in the least like pudgy little Artie Demington, more like unto some classical figure in the paintings one saw when one went call on various local inhabitants to whom one had introductions! A demigod of grapes and olives one might fancy as he walked among his vines and groves.

Along with Nardo, that was very fine-looking himself! Not that she inclined to any fellow but darling Gussie, but one must admit that the men hereabout were very pleasing to the eyes. Even Mr White, that ran the printing-press that produced a journal and pamphlets on agrarian matters, and was English – one might even detect a slight Cockney note in his speech – was quite a handsome chap for his years.

Sure did she dabble in watercolours like Emmy she would find that a great inspiration to her brush! but there was Mrs di Serrante, conscientiously painting away at depictions of scenery, and ruins, and mayhap a quaint olive-tree or so. Well, mayhap in private she prevailed upon her husband to present as a sleeping satyr or such….

Verena, that was lying in a long chair on the terrace, a novel drooping from her hand, looked over to where Emmy di Serrante was leaning upon the wall with her sketchbook and colour-box, intent upon a seascape.

It was really somewhat vexing! Verena had been wont to consider the Reveley sisters as a pair of dowdy provincials that had been quite thrust into Town Society upon the death of the late Lord Raxdell – Verena, like possibly every other young woman in her set, had passed through a girlish passion for that dashing Viscount, so handsome, such a prime sportsman, a most noted whip, and while she had recovered, still felt a pang at his untimely demise. Their mother had been no use at all to 'em –

So unlike dear Mama! Mama that knew not merely all about dress and how to be in the crack o’style, but all the little tricks of manner that gave one a deal of assurance when going into Society. And indeed, my darlings, you will need that, alas, I fear.

(Because of the whispers that Cara – Adeline – Verena Zellen is not Sir Hartley’s daughter. Even if, in all matters of affection, they were.)

So darling Mama had conveyed 'em knowledge of Society and its conventions that had served 'em all well, and Cara and Adeline had married well, and Verena herself had made this quite spectacular and enviable match, to Gussie, that she had liked since childhood and come to love.

But the Reveley girls – so awkward – but then they were took up by Lady Bexbury, one supposed as it were as a bequest from Lord Raxdell – had long been give out that there were feelings 'twixt 'em of great affection – and had he not left her the famed pink diamonds? – though there had also been vulgar speculations concerning his feelings for Lady Ferraby –

That had conveyed 'em somewhat more of polish – and the elder of the two, Miss Harriet, received a most eligible offer from the Honble Brumpage Parry-Lloyd, heir to Lord Abertyldd, not perhaps the most thrilling of suitors but an excellent match.

Still, they might have improved considerable, but Verena had still been wont to consider 'em unsophisticated creatures compared to the Zellen sisters that had been brought up in Town Society from their earliest years. One was kind, of course, there was no need to be spiteful and cattish like that set that used to gather round Lady Trembourne before her disgrace, but in the way one was to visiting relatives or neighbours from Cornwall.

Yet, here was Emmy not in the least awkward – fluent in Italian, including the particular tongue of this region – on the easiest of terms with Signor Traversini and Mr White – and widely received in the very various social circles hereabouts.

Had, Verena discovered, the entrée to the local nobility by way of her husband – and also to the Americans that came here for assorted reasons – of course to English Society – also, one discovered, to a deal of savants through introductions from Signora Umberti, whose late husband had been an esteemed professor before fleeing into exile, and had been by way of a governess to the Reveley sisters.

And took this all with entire easiness and one could only say, aplomb.

Was, it appeared, in quite a constant whirl of routs, balls, excursions to sites of interest, invitations to come view this or that one’s villa or gardens, &C&C. One supposed she had to find some diversion while her husband went about with Signor Traversini or others learning about grapes and making wine with the intention of in due course setting up to do the like on American shores. Or going to meetings of agrarian reform societies.

Both couples were attending this ridotto at some palazzo: indeed, very fine, but such a mob of company, thought Verena, that found her head aching a little at the noise. Feeling a little chagrin at observing Emmy di Serrante quite the sparkling butterfly, flitting from group to group, demonstrating a little discreet flattering flirtatiousness to this or that older fellow. Nardo, Verena observed, was smoking on a terrace with a group of younger chaps – perchance former comrades?

Gussie took her hand and said, had a notion that there was dancing a little further on, and they were about to go there, for they danced together exceedingly well and it was quite of  their greatest pleasures, when came bustling up to 'em some lady she had met in the English set with Emmy – fancied her husband was here for his health? – begging to make known to Lord and Lady Imbremere her American friends.

This was undoubtedly what Mama would consider encroaching presumption, but one could hardly go so far as to deliver a cut, so they conceded to have the Rutledges, from Virginia, introduced to 'em, that made exceeding effusive –

Had not Emmy said somewhat about 'em, and that for citizens of a democratic nation they were greatly dazzled by tinsel show?

One gleaned that impression!

Upon finding that Gussie was an earl and a botanist, Mr Rutledge launched into the tale of his father’s friend, that had also been a botanist, and had gone plant-hunting in the Virginia forests with an English earl some considerable while ago. And alas, the fellow was attacked and killed by a bear, did not know the ways of things with the wild animals in those parts –

Gussie said drily that that must have been his grandfather – his mother’s father – that died before he was born.

This put a considerable chill on the conversation.

The following morning Verena found herself feeling considerable qualmish – somewhat she had consumed perchance – and said she would lie in a little when Gussie rose. A little later, feeling no better, she got up to seek her smelling-salts. Her maid had not seen them, very tiresome.

She would go ask Emmy did she have such thing as a smelling-bottle about her.

There was Emmy, sitting out on the terrace, carefully shaded from the sun, writing at a lap-desk. Shielding her own eyes from the glare of light, Verena went over to make her request.

Why, certainly, cried Emmy, I will go fetch it immediate, as she closed the lid of the lap-desk, not before Verena had observed that she had been writing in what looked like cypher – had come across Gillie Beaufoyle about the like. Gillie, challenged about this, had shrugged and revealed that he had been desired to make use of his sojourn in the Ukraine by his superiors –

But Emmy, about secret communications?

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