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Posted by John Scalzi

Inspiring view, isn’t it.

I’m here in San Antonio specifically to be part of the Pop Madness Convention at the San Antonio Public Library tomorrow, March 7. I’ll be there along with Martha Wells, Robert Jackson Bennett, John Picacio and other cool folks, being on panels and signing books and all that good stuff. If you’re in the San Antonio area tomorrow, come down and see us!

And if you’re not in the San Antonio area tomorrow, I mean, have a good Saturday anyway, I guess.

— JS

hrj: (Default)
[personal profile] hrj
I prefer not to duplicate content on multiple platforms, largely through laziness. And I tend to assume that if people are interested in the content I post on a particular platform, they'll follow me on that platform.

That said, I'm posting a couple of multi-part long-form essays over at my Alpennia.com blog that people might possibly be interested in.

One is an 8-part series presenting and analyzing the primary source material on 18th century pirates Anne Bonny and Mary Read, in addition to presenting and analyzing the narratives about them in the General History of the Pirates. This is part of my usual Lesbian Historic Motif Project blog.

The other will be a 16-part series entitled The Theory of Related-ivity: A History and Analysis of the Best Related Work Hugo Category. If you were the sort of fannish data nerd who enjoy the article Charting the Cliff that Camestros Felapton and I wrote a couple years ago, this may also be your thing. Related-ivity will also be mirrored on File 770. (I haven't started posting this one yet.)

So you have several ways of reading, if that's something you want to do. I'd love it if you read (and commented) at the Alpennia.com blog. The blog also has a RSS feed here at Dreamwidth but I have no way of being notified about comments on it. And, as noted, Related-ivity will also appear on File 770 (where you can also comment) but obviously the LHMP series won't appear there. It occurs to me that, given that the RSS feed on Dreamwidth doesn't like image files, it's probably a poor choice for Related-ivity, since you won't be able to see the figures and tables.

Why is life so complicated?

Event Report: Third Place Ravenna

Mar. 6th, 2026 06:00 pm
[syndicated profile] asknicola_feed

Posted by Nicola Griffith

I’ve just done my last local She is Here-focused book event.1 It was small, and lovely, a very community affair in Edmonds with cookies and soda and lots of conversation, and a great introduction by Leila Norako, a medievalist at UW. Sadly I don’t have pictures—but then I remembered I do have pictures of the Ravenna event that I haven’t posted, and in fact haven’t had time to write about.


Ravenna was a great event—just right. Third Place Ravenna is a small store, which struck me as a perfect venue for this book.2 She is Here is not like any of my other books—it contains my first published poetry, for instance; my first published artwork; and a very candid interview. For those reasons I wanted something intimate for this book—not the great echoing space of Elliott Bay or the even greater-capacity Third Place Lake Forest Park (where I’ve done my last few events).

The events folks were initially concerned that the store wouldn’t be big enough but eventually they came round to my way of thinking (thanks Spencer, thanks Bailey!). As it was, it turned out perfectly. Bailey rearranged the store so that the reading was a sort of 270-degree, reading-in-the-(almost)-round affair, with several blocks of chairs. (This meant I had to swivel my head a lot when talking, to make sure everyone felt included, but, hey, that’s a small price to pay.) And in the end every seat was filled and only a handful of people had to stand. I tried to find the best photo to show everyone, but even so, you can’t see two of the blocks of folks on the other sides of bookshelves—but I drew some helpful arrows so you can imagine:

A crowded bookstore event showing filled seats and two arrows snaking behind bookcases
Listeners invisible behind shelving…

Most of the photos (thanks, Bailey) seem to be me talking—but I assure you Kelley talked too and asked lots ofo ifty questions—as did the audience. Here are a few more pix:

As you can see from all the coats and hats it was a cold night—I was truly delighted that so many people made the effort. The Q&A session ran a little long, and then the signing line was long, so I’m sorry that the booksellers were kept late. But also, y’know, not sorry because it was such a splendid evening.

And then we all went to the pub and carried on until they kicked us out. Oh, well. Even the best nights must come to an end…


  1. I have an event coming up at Charlie’s Queer Books, but that’s focused not on me but on my conversation partner, Olivia Waite, for her new book, Nobody’s Baby. And I’ll be reading from and talking about SiH at ICFA later this month. Thee are also more interviews and reviews to come… ↩
  2. Plus, of course, they have the pub downstairs that sells Guinness. Plus plus, it is a beautifully accessible store. I recommend it highly. ↩

[syndicated profile] alpennia_feed

Posted by Heather Rose Jones

Friday, March 6, 2026 - 10:00

By pure coincidence, I'm going to be posting two different series interleaved on the blog for the next month or so. They're quite different in nature! The Lesbian Historic Motif Project will be looking into the mythology around early 18th century pirates Anne Bonny and Mary Read (starting with this post), while an entire separate blog series will be starting shortly presenting The Theory of Related-ivity: A History and Analysis of the Best Related Work Hugo Category. What the two have in common is a love for doing a deep dive into source data, analyzing it, then explaining my conclusions to the general public. In the case of the General History of the Pirates, I'm not unearthing any new data, and the analysis is more a matter of trying to make sense of how a myth was created and how we can tell it's a myth. But in the case of the Hugo analysis (which was mostly a fun mental exercise), I've put together a discussion that goes into more detail than has ever previously been done (as far as I can tell). I hope readers don't get too much mental whiplash between the two!

Major category: 
Full citation: 

Johnson, Charles (pseudonym). 1724. A General History of the Pyrates: from their first rise and settlement in the Island of Providence, to the present time. With the remarkable actions and adventures of the two female pyrates Mary Read and Anne Bonny ... To which is added. A short abstract of the statute and civil law, in relation to pyracy. London: T. Warner.

Publication summary: 

A presentation and analysis of material related to Anne Bonny and Mary Read in the General History of the Pyrates, with additional material from journalistic and legal records.

Publication summary: 

A presentation and analysis of material related to Anne Bonny and Mary Read in the General History of the Pyrates, with additional material from journalistic and legal records.

Part 1: Background and the Journalistic Record

I was inspired to tackle this set of material because of the flood of sapphic “pirate romances,” many of which are reworkings of the myth (and I use “myth” advisedly) of Anne Bonny and Mary Read, while others spin off from the Hollywood version of the broader myths of the Golden Age of Piracy derived from the anonymously authored General History of the Pirates. As often happens, I was curious to know the original primary source materials that set these myths in motion. Moreover, I was curious to try to determine what parts of that source material might have any basis in fact.

It is, perhaps, a misnomer to refer to the stories about Anne Bonny and Mary Read in the General History as a “primary” source, as it is generally assessed by historians to be highly fictionalized. The documents closest to direct witness accounts have far less detail and no mention at all of the lives of Bonny and Read prior to their being declared pirates and their subsequent capture and trial. But as the General History is the sole source of the assertion that the two women had a sapphic encounter, it’s necessary to place it in context, both among the contemporary and near-contemporary documents, and among the tropes and motifs concerning passing women in military and naval occupations.

In putting together this discussion, I’m deeply indebted to the work of Jillian Molenaar, who blogs about the ways in which stories about Jack Rackham, Anne Bonny, and Mary Read have evolved and been adapted in popular culture. She did the legwork of tracking down and documenting references to the activities, arrest, and trial of these three that were recorded before the waters were muddied by mythologization. You can find her website at https://jillianmolenaar.home.blog/.

That mythologized version of Bonney and Read’s biographies first appears in the 1724 publication A General History of the Pyrates: from their first rise and settlement in the Island of Providence, to the present time. With the remarkable actions and adventures of the two female pyrates Mary Read and Anne Bonny ... To which is added. A short abstract of the statute and civil law, in relation to pyracy, hereafter shortened to General History. [Note: “The Island of Providence” is New Providence Island in the Bahamas. The text I’ve used is the second edition, available from archive.org at https://archive.org/details/generalhistoryof00defo, accessed 2025/07/09] The book’s authorship is given as Captain Charles Johnson but this is generally considered to be a pseudonym. One theory attributes authorship to novelist Daniel Defoe, although there are other completing theories. I’ll refer to the author as “Johnson” but it should always be understood to involve scare-quotes.

I haven’t found a specific publication date for the first edition of the General History but the second (expanded) edition was published on 5/14/1724. As the first edition cites the same publication year, and as England was still using the Julian calendar at the time, with the year beginning on March 25, then the first edition could have been published no earlier than March. Given the volume of additional material included in the second edition, it might make sense to allow for the maximum time between the editions and consider March 1724 the most likely date.

The General History, despite its superficial format as a collection of biographies, is an inventive literary work rather than a reliable historic record, which is problematic, given that it more or less singlehandedly created the popular image of the “golden age of piracy” that continues to dominate popular culture today. The publication covers 35 individuals, three of whom are considered to be entirely invented. Bonney and Read are the only women included in the list.

If I’m interpreting the information correctly, the material in Volume 1 of the second edition is the original work, while Volume 2 of the second edition contains the new material added when the work was reprinted later the same year. The book was enormously popular, and was reprinted multiple times with further expansions of the material in the next several years.

Before considering the version of Bonny and Read’s stories in the General History, let’s examine earlier documentary material, to have a sense of what Johnson—and we’ll use that name for the author for convenience—might have been working from. The majority of this material is sourced from Jillian Molenaar’s website, which includes photocopies of the original documents and transcripts of their contents. I’ll primarily be including the material referencing Read or Bonney, but also occasionally material that only references Rackham.

An important aspect of understanding these records is the significant lag-time in communication. Information traveled to newspapers in London and American cities such as Philadelphia and Boston at the speed of sailing ships and, as we’ll see, was often reported in the context of noting recently arrived vessels which we may assume were the source of the news, whether printed or verbal. Based on the dates of the events and newspaper articles, it appears that it took about six weeks for news to make it to New England, and four months to reach London. For this reason, the following will be organized by the date of the events being reported, not the date of the published report.

September 4, 1720

An item in The Boston Gazette dated October 17, 1720 reports:

“New-Providence, Sept. 4th. Several Pirates are on the Coast of the Bahamas, among which is one Rackum who Run away with a Sloop of 6 Guns, and took with him 12 Men, and Two Women….”

[Note: See the discussion of crew members below for various conflicts in the numbers.]

September 5, 1720

A second item The Boston Gazette also dated October 17, 1720 describes the official response:

“Whereas: John Rackum, George Featherstone, John Davis, Andrew Gibson, John Howell, Noah Patrick–&c. and two Women, by Name, Ann Fulford alias Bonny, & Mary Read, did on the 22d of August last combine together to enter on board, take, steal and run-away with out of this Road of Providence, a Certain Sloop call’d the William, Burthen about 12 Tons, mounted with 4 great Guns and 2 Swivel ones, also Amunition, Sails, Rigging, Anchor, Cables, and a Canoe, owned by and belonging to Capt. John Ham, and with the said Sloop did proceed to commit Robery and Piracy upon the Boat and Effects of James Gohier Esq; on the South side of this Island, also upon Capt. Isaac’s Master of a Sloop riding at Berry-Islands in his Way from South-Carolina to this Port: Wherefore these are to Publish and make Known to all Persons Whatsoever, that the said John Rackum and his said Company are hereby proclaimed Pirates and Enemies to the Crown of Great-Brittain, and are to be so treated and Deem’d by all his Majesty’s Subjects. Given at Nassau, this 5th of September, 1720. Sign’d Woodes Rogers.”

[Note: From the very first, it’s clear that the presence of the women was considered newsworthy. While only a partial list of the male crew is given, the two women are specifically named and called out. This isn’t surprising, but it provides context for there being significant public hunger for more information about them.]

October 31, 1720

On October 31, 1720 the Journals of the Assembly of Jamaica recorded:

“Last night I received the agreeable news, that captain Barnet had taken Rackam the pirate, and eighteen of his crew, and had put them ashore at the leeward part of the island, from whence they are coming up by land under a strong guard.”

The context of transmission of news like this is illustrated by an item in The American Weekly Mercury (a Philadelphia paper [https://en.wikipedia.org/wiki/Andrew_Bradford]) dated December 8, 1720 which first lists the arriving ships and captains from various ports, then notes that news had arrived from Jamaica about the capture of Rackham and his crew “which consisted of 26 Men and two Women, who were all carried into Jamaica.” At the time news of the capture was published in Philadelphia, the trials and executions had already taken place.

Multiple other news items mention the taking of Rackham and his crew and their fate without noting the presence of women (either in general or by name). One item in The Daily Post (location unknown) dated January 13, 1721 lists “a Pyrate Sloop, commanded by one Rackham of Jamaica, having on board 14 Men.” An item in The London Journal dated January 14, 1721 is more gender-neutral listing “fourteen Hands on board.”

[Note: As can be seen in these items, the size of Rackham’s crew was reported in extremely variable terms. See the discussion below about the crew size.]

November 16, 1720

An official pamphlet published in 1721 gives details of the piracy trials and their results. As is typical for the era, it has an exceedingly long title, which I’ll condense to The Tryals of Captain John Rackham, and other Pirates ... As Also, the Tryals of Mary Read and Anne Bonny, alias Bonn ... Also, a True Copy of the Act of Parliament made for the more effectual suppression of Piracy. [Note: Once again, Bonny and Read are called out specifically, reflecting the public interest in their inclusion.] While Rackham’s trial is given prominence in the title, a whole sequence of piracy trials are recorded in this document, reflecting unrelated crews. The last trial date included is the subsequent March 22. The publication itself doesn’t have a more specific date than the year, but the copy held by the National Library of Jamaica and preserved at archive.org (https://archive.org/details/the-tryals-of-captain-john-rackham) has a series of handwritten notes at the end, which I read (with difficulty) as the following:

“Jamaica. The Tryals of several Pyrates at Jamaica in Nov. {??} 1720. Received with {dir} Nicholas La{w’ letter} of 12th June 1721”

“Rec’d August 14th. Read Ditto 17th 1721”

“Q.4.”

At any rate, this narrows the publication date down to sometime between March 22 and June 12, 1721. So let’s split the difference and say “May.”

The first part of the report is headed “November the 16th, 1720” and is a formal report of court proceedings. It lists the individuals present at the Court of Admiralty, has the text of a royal commission with respect to suppressing piracy, and then moves on to the trial of nine defendants, including “John Rackam” but not including either Anne Bonney or Mary Read. Rackham and seven others were described as being from “the island of Providence in America” while the remaining man was from Philadelphia. [Note: “The island of Providence in America” is, as above, New Providence, Bahamas. Obviously at this date “America” was not yet a reference to the United States of America, but simply a reference to the New World in general.] There follow detailed accounts of specific attacks on other ships made by the crew. The defendants all pled Not Guilty, after which witnesses were deposed who gave detailed eye-witness accounts of the attacks and identified the defendants as having taken part. All nine were judged guilty and sentenced to be hanged.

November 17, 1720

The record continues with a new dateline for the trial of two additional men with a single charge (from the list in the previous Rackham trial) made against them. (Presumably this is the reason for trying them separately: that they were only involved in one charge.) They pled Not Guilty, witnesses were deposed, the defendants were judged guilty and sentenced to hang.

November 18, 1720

The record continues under this date to record the execution of five men, including Rackham, and then on the following day (November 19) the other four men from the first trial, and on “Monday following” (Nov. 21) the execution of the two men from the second trial. (The “day of the week” calculator at https://aulis.org/Calendar/Day_of_the_Week.html using the “Old Style” calculator applying to dates before 1752, gives November 19, 1720 as a Saturday, therefore the “Monday following” would be the 21st. I suppose it makes sense to skip doing executions on a Sunday.)

Note: As the initial capture reports indicated that 12 men and 2 women were taken, but the trial only involved 11 men, one possible conclusion is that one of the men (Andrew Gibson) died prior to trial, but none of the documents I reviewed has any mention of this.

November 22, 1720

The periodical The Post Boy (published in London, England) reported on March 28, 1721, the results of the initial trials listing 11 men (including Jack Rackham) as having been convicted of piracy and hanged. The trial results had a dateline of November 22 [1720] from San Iago de la Vega in Jamaica. There is no mention in this item of Bonney or Read. This is far too soon for receipt in London of the published trial record, but if we assume that the news started to travel after Rackham’s sentencing and before the Bonney/Read trial, we can narrowly estimate a news travel time of about four months. Multiple news reports of the trial and executions in various publications at this time list only Rackham by name, or may add the names of some other men.

November 28, 1720

Returning to the trial report, there is a new section datelined November 28, 1720 for the trial of “Mary Read” and “Ann Bonny, alias Bonn.” Once again, the commissioners are named, the defendants are listed, and then the charges are listed. In this case, I’ll provide a complete transcript of the charges.

“I. That they, the said Mary Read, and Ann Bonny, alias Bonn, and each of them, on the first Day of September, in the Seventh Year of the Reign of Our said Lord the King, that now is, upon the High Sea, in a certain Sloop of an unknown Name, being; did feloniously and wickedly, consult, and agree together, and to and with, John Rackam, George Fetherston, Richard Corner, John Davies, John Howell, Patrick Carty, Thomas Earl, and Noah Harwood, to rob, plunder, and take, all such Persons, as well Subjects of Our said Lord the King, that now is, as others, in Peace and Amity with His said Majesty, which they should meet with on the high Sea; and in Execution of their said Evil Designs, afterwards (to wit) on the Third Day of September, in the Year last mentioned, with Force and Arms, Etc. upon the high Sea, in a certain Place, distant about Two Leagues from Harbour-Island in America, and within the Jurisdiction of this Court, did piratically, feloniously, and in a hostile manner, attack, engage, and take, Seven certain Fishing-Boats, then being, Boats of certain Persons, Subjects of our said now Lord the King, (to the  Register aforesaid unknown) and then and there, Piratically, and Feloniously, did make an Assault, in and upon, certain Fishermen, Subjects of our said Lord the King, (whose Names to the Register aforesaid are unknown) in the same Fishing-Boats, in the peace of God, and of our said now Lord the King, then and there being, and then and there, Piratically, and Feloniosly [sic], did put the aforesaid Fishermen, in the said Fishing-Boats then being, in Corporal Fear of their Lives; and then and there, piratically and feloniously, did steal, take, and carry away, the Fish, and Fishing-Tackle, of the value of Ten pounds, of Current Money of Jamaica, the Goods and Chattels of the aforesaid Fishermen, then and there upon the high Sea aforesaid, in the aforesaid place, about two  Leagues distant from Harbour-Island aforesaid, and within the Jurisdiction aforesaid, being found, in the said Fishing-Boats, in the Custody and Possession of the said Fishermen, from the said Fishermen, and from their Custody and Possession, then and there, upon the high Sea aforesaid, in the place aforesaid, distant about two Leagues form Harbour Island aforesaid, and within the Jurisdiction aforesaid.

“II. That afterwards, to wit, The first Day of October, in the Year last mentioned, they, the said Mary Read, and Ann Bonny, alias Bonn, and each of them, in the said Pirate Sloop being, by Force and Arms, etc. Upon the high Sea, in a certain place, distant about three Leagues from the Island of Hispaniola in America; and within the Jurisdiction of this Court, did Piratically, and Feloniously, set upon, Shoot at, and take, two certain Merchant Sloops, then being, Sloops of certain Persons, Subjects of our said Lord the King (to the aforesaid Register unknown) and then and there, Piratically, and Feloniously, did make an Assault, in and upon, one James Dobbin, and certain other Mariners (whose Names to the Register aforesaid are unknown) in the same Merchant Sloops, in the peace of God, and of our said now Sovereign Lord the King, then and there being, and then, and there, Piratically, and Feloniously, did put the aforesaid Mariners, of the same two Merchant Sloops, in the aforesaid two Merchaint Sloops then being, in Corporal fear of their Lives, and then and there afterwards, to wit, The said first Day of October, in the Year last mentioned, upon the high Sea, in the place aforesaid, distant about three Leagues from Hispaniola aforesaid, in America aforesaid, and within the Jurisdiction aforesaid, Priatically and Feloniously, did steal, take, and carry away, the said two Merchant Sloops, and the Apparrel and Tackle of the same Sloops, of the Value of One Thousand Pounds of Current Money of Jamaica.

“III. That they, the said Mary Read, and Anne Bonny, alias Bonn, and each of them, in the said Pirate Sloop being, afterwards (to wit) the Nineteenth Day of October, in the Year last mentioned, with Force and Arms, etc. Upon the high Sea, at a certain place, distant about Five Leagues from Porto-Maria-Bay, in the Island of Jamaica aforesaid, and within the Jurisdiction of this Court, did Piratically, Feloniously, and in a Hostile manner, Shoot at, set upon, and take, a certain Scooner, of an unknown Name, whereof one Thomas Spenlow was Master, then being, a Scooner of certain Persons, Subjects of our said Lord the King (to the Register aforesaid unknown) and then and there, Piratically, Feloniously, and in a Hostile manner, did make an Assault, in and upon the said Thomas Spenlow, and certain other Mariners (whose Names to the Register aforesaid are unknown) in the same Scooner, in the Peace of God, and of our said now Lord the King, then and there being, and then and there Piratically and Feloniously, did put the aforesaid Thomas Spenlow, and other Mariners of the same Scooner, in the Scooner aforesaid, then being, in Corporal Fear of their Lives; and then and there iratically and Feloniously, did steal, take, and carry away, the said Scooner, and the Apparel and Tackle of the same Scooner, of the value of Twenty Pounds of Current Money of Jamaica.

“IV. That they, the said Mary Read, and Ann Bonny, alias Bonn, and each of them, in the aforesaid Pirate Sloop being, afterwards (to wit) the 20th Day of Octob. in the Year last mention’d with Force and Arms, etc. upon the high Sea, at a certain Place, distant, about one League from Dry-Harbour-Bay, in the Island of Jamaica, aforesaid, and within the Jurisdiction of this Court, did Piratically, Feloniously, and in a Hostile manner, set upon, bard, and enter, a certain Merchant Sloop, called the Mary, then being a Sloop of certain Persons (to the Register aforesaid unknown) whereof Thomas Dillon Mariner was Master; and then and there, did make an Assault, in and upon the said Thomas Dillon, and certain other Mariners (whose Names to the Register aforesaid are unknown) in the same Sloop, called the Mary, in the Peace of God, and of our said now Lord the King, then and there being, and then and there, Piratically and Feloniously, did put the aforesaid Thomas Dillon, and other the [sic] Mariners of the same Merchant Sloop, called the Mary, in the said Sloop called the Mary then being, in Corporal Fear of their Lives; and then and there Piratically, and Feloniously, did steal, take, and carry away, the said Sloop Mary, and the Apparel and Tackle of the same Sloop, of the Value of Three hundred Pounds, of Current Money of Jamaica.”

These are identical to the four articles charged against the first group of nine men, indicating that Bonny and Read were present on the ship for the entire period covered by those charges. Article III is the one charged against the two men in the second trial. The details of the articles aren’t identical across the records of the three trials, but the events in question clearly align.

The following witnesses were deposed, giving the transcribed testimony.

“Dorothy Thomas deposed, That she, being in a Canoa [sic] at Sea, with some Stock and Provisions, at the North-side of Jamaica, was taken by a Sloop, commanded by one Captain Rackam (as she afterwards heard;) who took out of the Canoa, most of the Things that were in her: And further said That the Two Women, Prisoners at the Bar, were then on Board the said Sloop, and wore Mens Jackets, and long Trouzers, and Handkerchiefs tied about their Heads; and that each of them had a Machet and Pistol in their Hands, and cursed and swore at the Men, to murther the Deponent; and that they should kill her, to prevent her coming against them; and the Deponent further said, That the Reason of her knowing and believing them to be Women then was, by the largeness of their Breasts.”

“Thomas Spenlow, being sworn, deposed, That when he was taken by Rackam, the two Women, Prisoners at the Bar, were then on Board Rackam’s Sloop.”

“John Besneck, and Peter Cornelian, two Frenchmen, were produced as Witnesses, against the Prisoners at the Bar, and were sworn. Mr. Simon Clarke was sworn Interpreter; Then the said Two Witnesses declared, That the Two Women, Prisoners at the Bar, were on Board Rackam’s Sloop, at the Time that Spenlow’s Scooner, and Dillon’s Sloop, were taken by Rackam; That they were very active on Board, and willing to do any Thing; That Ann Bonny, one of the Prisoners at the Bar, handed Gun-powder to the Men, That when they saw any Vessel, gave Chase, or Attacked, they wore Men’s Cloaths; and, at other Times, they wore Women’s Cloaths; That they did not seem to be kept, or detain’d by Force, but of their own Free-Will and Consent.”

“Thomas Dillon, being sworn, declared, That on or about the Twentieth Day of October last, he was lying at Anchor, with the Sloop Mary and Sarah, whereof he was Master, in Dry-Harbour, in Jamaica; and that a strange Sloop came into the said Harbour, which fired a Gun at the Deponent’s Sloop; whereupon the Deponent and his Men went ashoar, in order to defend themselves, and Sloop; And that after several Shot had been fired at them, by the said Sloop, the Deponent hailed them, and one Fetherston (as the Deponent believ’d) answer’d, That they were English Pirates, and that they need not be afraid, and desired the Deponent to come on Board; whereupon the Deponent went on Board, and found that the said Sloop was commanded by one John Rackam; afterwards the said Rackam, and his Crew, took the Deponent’s Sloop, and her Lading, and carried her with them to Sea; and further said, That the two Women, Prisoners at the Bar, were then on Board Rackam’s Sloop; and that Ann Bonny, one of the Prisoners at the Bar, had a Gun in her Hand, That they were both very profligate, cursing and swearing much, and very ready and willing to do any Thing on Board.”

Comparing these to the witness lists from the previous trials, the first trial deposed Thomas Spenlow, Peter Cornelian and John Besneck, and also James Spatchears who did not testify against Bonney and Read. The second trial also deposed Thomas Spenlow, as well as Mr. Cohen and William Swaile (who did not testify in the other two trials). The content of the witness testimony differs considerably from trial to trial, clearly focusing on the involvement of the specific defendants.

Bonney and Read were judged guilty and sentenced to be hung. After sentencing, both women told the court they were “quick with Child” and asked for a stay of execution. [Note: this was a fairly common tactic as courts were hesitant to execute a pregnant woman.] “Whereupon the Court ordered, that Execution of the said Sentence should be respited, and that an Inspection should be made.” And court was adjourned until December 19th.

News of the trials and their outcomes took some time to be disseminated. An item in The Daily Courant (a London paper, https://en.wikipedia.org/wiki/The_Daily_Courant) dated September 1, 1721 reports an account received in London from Jamaica “by the fleet newly arrived” of “the Execution at Kingston and Port Royal of nine more Pyrates; also of the Tryal and Condemnation of 11 others, two of which were Women, named Mary Read and Sarah Bonny; the Evidence against whom deposed, that they were both in Mens Habit, and fought desperately, and that they narrowly escaped being murdered by them.” The identical text was reported in The Daily Journal, The Post Boy, and The Weekly Journal or British Gazetteer on September 2, 1721. The London Journal, also on September 2, 1721, used a different phrasing of the same basic information: “the Execution of Nine Pyrates, and of the Tryal and Condemnation of Eleven more, Two of which were Women, named Mary Road and Anne Bonney, against whom ’twas prov’d, that they both of them wore Seamens Habits, were in Arms, fought desperately, and were more unmerciful than any of the Crew.”

Given the similarity of details to those in the published trial records, it is reasonable to conclude that these accounts were based on a copy of that publication, newly received in London. Based on our triangulation of a publication date in May 1721, this matches our previous observation of a travel time of 4 months for news to get to London.

December 19, 1720 and later

Several other hearings are documented in the published trial records between December 19, 1720 and March 22, 1720 that have no direct connection with the Rackham crew. [Note: The British Empire did not adopt the Gregorian Calendar, along with the use of January 1 to start the new year, until 1752. In the 1720s, the new year still started on Annunciation Day (March 25). So although the court record says “March 22, 1720” we should understand it as 1721. The same applies to the next item.]  The following does mention Rackham:

January 24, 1720 (read: 1721) during a trial of nine men, a witness indicated that the men had joined up with Rackham and his crew to commit piracy during October 1820 (referencing one of the charges listed in Rackham’s trial). Although there is a long list of men associated with Rackham’s crew in the testimony, neither Read nor Bonney are mentioned. The defendants claimed they had functionally been impressed into Rackham’s crew by force, nevertheless they were found guilty and sentenced to death.

The publication concludes with the text of “An Act made at Westminster in the Kingdom of Great Britain in the Eleventh and Twelfth Years of the Reign of King William III Entituled [sic], An Act for the more effectual Suppression of Piracy.”

This trial record does not follow up on the results of the “inspection” of Bonney and Read regarding their claimed pregnancies. However, the following record has been identified.

April 28, 1721

A line-item in the St. Catherine Baptisms Marriages & Burials, Vol. I: 1669-1764 lists the burial on April 28, 1721 of “Mary Read pirate.” (St. Catherine is a parish in Jamaica.)

Time period: 
Event / person: 

Cluster

Mar. 6th, 2026 03:27 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

What We Lose When We Gamify Reading, well yeah, but this is someone who considers Middlemarch 'a slog'. I'm also, of course, thinking about previous allotropes of this kind of thing - actual libraries you could buy of The Best Books - and of course display them on your shelves - and I'm also recollecting The Provincial Lady who can never manage to actually read That Book That Everyone Is Talking About. Of reading as something that is not, reading that thing that you want to read, when you want to read it, at the speed that seems fit (which may involve stopping and starting and hiatuses).

***

If not a smaller, a more connected world than people maybe think: How likely is it that Alfred the Great sent two emissaries to India in the ninth century?:

Alfred’s embassy to India thus appears to be entirely historically plausible: India, with its Christian community and shrine of St Thomas, was probably always the intended destination, and its remoteness from early medieval England the very point of the embassy.

***

This feels like yet another story that might perhaps account for Why Are There So Few Women In [X] Field which is not down to actual aptitude and drive: There’s a long and embedded history of abuse in chess.

***

Home Free: Vivian Gornick, interviewed by Chandler Fritz

Everything depends on the writer’s relation to the first-person narrator. Some writers are released into storytelling through the fictional narrator; others are released by the nonfictional “I.” The first become novelists, the second memoirists. It’s all a matter of what kind of narrator lets you tell the story. When I was young I kept telling these stories about my mother and our neighbor Nettie, and everyone said, “That’s a novel!” But when I tried to write a novel the material just lay there like a dead dog: I couldn’t bring it to life. When I realized it was a memoir and the narrator was clearly me, suddenly I was home free.

***

The Cold War and the Soviet KGB's Same-Sex Entrapment Operations in the 1950s and 1960s: The Perpetrator in Focus. Intriguing. When I was employed in an institution which at the time came under the aegis of the Foreign and Commonwealth Office I was obliged to attend an FCO Induction Course. This had very little relevance to my job, and among the proceedings were cautionary films about being got at by Soviet agents. In one case although the surface level involved the patsy being lured by publication in a Red journal his relationship with the tempter seemed to have definite homoerotic undertones.

New Worlds: Gardens and Parks

Mar. 6th, 2026 09:04 am
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[personal profile] swan_tower
I've been trying for some time now to get a landscaper not to ghost me, so we can redo the front and back yards of my house.

Am I trying to hire a contractor, or an artist?

Yes. Both. Year Nine's discussion of how we've reshaped the land focused entirely on utilitarian aspects: draining wetlands, filling in shorelines, flattening land for agriculture and roads. We entirely skipped over the aesthetic angle -- but that matters, too! The land and what grows atop it can become a medium for art.

A fairly elite art, though. At its core, landscaping for the purpose of a garden or a park is about setting aside ground that could have been productive and using it for pleasure instead. Not to say that there can't be some overlap; vegetable gardens can be attractive, and parks might play home to game animals that will later grace the dinner table. But there's a sort of conspicuous consumption in saying, not only do I have land, but I have enough of it to devote some to aesthetic enjoyment over survival.

We don't know what the earliest gardens were like, but we know they've been with us probably about as long as stratified society has been, if not longer. The Hanging Gardens of Babylon (named for their tiered structure) were one of the Seven Wonders of the Ancient World, and those -- if they ever existed -- were a continuation of a well-documented Assyrian tradition of royal gardens, which included hydraulic engineering to supply them with water. So this was not a new art.

But when did it become an art? I'm not entirely sure. The boundary is fuzzy, of course; gardens can exist without being included in the discourse around Proper Art. (As we saw in Year Eight, with the shift toward recognizing textiles as a possible form of fine art.) Europe didn't really elevate gardens to that stature until the sixteenth century, as part of the Renaissance return to classical ideals. The earliest Chinese book I've been able to find on the aesthetics of gardening, as opposed to botanical studies of plants, is from the seventeenth century, but it wouldn't surprise me if there were earlier works. I think that when you start getting specific aesthetic movements and individual designers famous for their work, you're in the realm of Art instead of a functional thing that can also be pretty; I just don't know when that began.

There definitely are aesthetic movements, though! In particular, gardens-as-art swing between the poles of "nature in her most idealized form" and "intentionally artificial." Many Japanese gardens exemplify the former, while European gardens laid out in complex geometric beds demonstrate the latter. It's not entirely a regional differentiation, though; Japanese dry ("Zen") gardens, with their carefully raked seas of gravel, are obviously not trying to look natural, and Europeans have enjoyed a good meadow-style garden, too.

This is partly a question of how you're supposed to interact with these spaces. Some -- including many of those Japanese examples, dry or otherwise -- are meant to be viewed from the outside, e.g. while sitting on a veranda or looking down on it from an upstairs window. Others are meant to be walked through, so they're designed with an eye toward what new images will greet you as you follow a path or come round a corner. Meanwhile, hedge mazes may purposefully try to confuse you, which means they benefit from walls of greenery as close to identical as you can get them -- until you arrive at the center or some other node, where the intentional monotony breaks.

In pursuit of these effects, a garden can incorporate other forms of art and technology. Hydraulics may play a role not only in irrigating the garden, but in fueling fountains, waterfalls, artificial streams, and the like, which in turn may host fish, turtles, and other inhabitants. Architecture provides bridges over wet or dry courses and structures like walls, gazebos, arches, arbors, bowers, pergolas, and trellises, often supporting climbing plants. Statuary very commonly appears in pleasing spots; paintings are less common, since the weather will damage them faster, but mosaics work very well.

But the centerpiece is usually the plants themselves. As with zoos (Year Four) and the "cabinet of curiosities"-style museums (Year Nine), one purpose of a garden may be to show off plants and trees from far-distant lands, delighting the eye and possibly the nose with unfamiliar wonders. The earliest greenhouses seem to have been built to grow vegetables out of season, but later ones saw great use for cultivating tropical plants far outside their usual climes -- especially once we figured out how to heat them reliably, circa the seventeenth century. In other cases, the appeal comes from carefully pruning the plants to a desired shape, whether that's arching gracefully over a path or full-on sculpture into the shapes of animals or mythological figures.

One particularly clever trick involves accounting for the changing conditions inherent to an art based in nature. Many gardens go dead and boring in the winter -- or in the summer, if you're in a climate where rain only comes in the winter -- but a skilled designer can create a "four seasons" garden that offers shifting sources of interest throughout the year. Similarly, they may use a combination of artificial lighting and night-blooming flowers to create a space whose experience is very different at night than during the day.

And gardens can even serve an intellectual purpose! Like a museum, its displays may be educational; you see this in botanical gardens and arboreta, with their signs identifying plants and perhaps telling you something about them. Many scholars over the centuries have also used gardens as the site of their experiments, studying their materials and tweaking how to best care for them. But this doesn't stop with plain science, either. We often refer to dry rock gardens as "Zen gardens" because of their role in encouraging meditative contemplation, and actually, it goes deeper than that: the design of such a garden is often steeped in symbolism, with rocks representing mountains in general or specific important peaks. I don't actually know, but I readily assume, that somebody in early modern Europe probably created a garden full of coded alchemical references. The design of the place can be as much a tool for the mind as it is a pleasure for the senses.

Which brings them back around to a functional purpose, I suppose. Gardens very much straddle the line between aesthetics and pragmatism!

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(originally posted at Swan Tower: https://is.gd/O7UpKN)

The Big Idea: Randee Dawn

Mar. 5th, 2026 09:21 pm
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Posted by Athena Scalzi

If everyone only wrote what they knew, how many books would we be deprived of? Author Randee Dawn has some concerns about the age-old advice, and suggests writers should get out of their comfort zone in the Big Idea for her newest novel, We Interrupt This Program.

RANDEE DAWN:

There are many phrases writers long to hear: Your book is a best-seller! Your book changed my life! Your book is getting a Netflix adaptation! Your book props open my screen door!

Maybe not that last one.

But if there’s one phrase writers are a little tired of hearing is this: Write what you know.

What does that even mean? For years, I thought it was reductionist and stupid. I write speculative fiction. Spec fic is about dragons or distant planets or zombies or dragons and zombies on distant planets. I have yet to encounter any of those things. But isn’t that what imagination is for? Make stuff up!

Write what you know is a rhetorical piece of advice that sends young writers off on the wrong path, and often confuses older ones. It explains why twenty-two year olds write memoirs. They don’t know anything but their own lives!

But it can have value. My first useful encounter with understanding write what you know came when I plumbed my entertainment journalism past – including time at a soap opera magazine – to write a goofy first novel, Tune in Tomorrow (helpfully given its own discussion in The Big Idea in 2022). I knew what backstage on TV and film sets looked like. I’d spoken to thousands of actors, producers, and directors. It wasn’t so far a leap to imagine how things might be different if magical creatures were running things. 

Then it came time to write the next story in the Tune-iverse. I’d used up a lot of Stuff I Knew. So what could come next to keep things interesting? 

That was when I discovered that the advice isn’t stupid. It’s just not the only advice that matters. Writing what you know can – pick your metaphor – give you a frame, a recipe, or a direction to follow.

But writing what hurts gives you substance. Writing what hurts gets you into the subcutaneous zone. 

With We Interrupt this Program (the next, also standalone, novel in my Tune-iverse), I tried to picture what the rest of the fae entertainment universe – run by the Seelie Court Network, of course – would look like. I imagined whole villages run by fae, populated by humans full-time, whose lives fit into neat little tropey stories. What if all the Hallmark movies were shot in the cutest, sweetest, village ever? What if there was a whole burg populated with humans who’d pissed the fae off and were being punished? What if a seaside town existed where a gray-haired older lady author solved cozy mysteries? 

The latter one gave me Winnie, an older woman whose cozy mysteries about her TROPE Town neighbors were turned into movies for SCN. But Seaview Haven is in trouble when we meet Winnie, and she discovers she’ll have to write a really good story to fix matters. So she writes about a love affair with the town’s Seelie Showrunner/Mayor/Director.

But those who vet it say it isn’t good enough. It’s nice. She wrote what she knew. Then she’s told to write what’s hard.

The novel took me by surprise here. I hadn’t planned to make her write two important stories. The love story should be enough. But it was only good. It wasn’t great. Despite being supernatural, it felt mundane. Tropey.

In going deeper to find Winnie a hard story, I discovered I already had one based on events in my real life. I gave them to her. Sure, it’s about love. But it’s also about betrayal and writerly jealousy, the kind delivered with a stiletto and not a butcher knife. Frankly, I’m a little embarrassed it’s in there. It’s not an epic awfulness. I didn’t commit a crime. 

Probably. 

And in giving it to Winnie, the story worked for me. When she unveils her personal, painful moment, it folds into the story as if I’d planned it. We Interrupt remains slapsticky, punny, and full of lunatic moments. Hopefully, though, that’s why this moment – the hurtful story – hits the hardest.

Readers can sense when we’ve gone deep, and when we skate the surface. A writer always has to find a way to squint at their latest creation and ask if they’ve gone deep enough to make it hurt, no matter what the genre is. That’s what – if I’ve done it right – it means to stick the landing.

So let’s look at that old hoary advice once more. Yes, write what you know. 

But don’t stop there. 

After you figure out what you know, figure out what’s hard. What hurts. Pull out the stiletto, not the butcher knife … and get cutting. 


We Interrupt This Program: Amazon|Barnes & Noble|Bookshop

Author socials: Website|Instagram|Facebook

Like buses in a bunch

Mar. 5th, 2026 07:28 pm
oursin: Drawing of hedgehog in a cave, writing in a book with a quill pen (Writing hedgehog)
[personal profile] oursin

So, I may have mentioned I would be giving a paper in one of the Fellows' Symposia of the Institution with which I am now affiliated, coming up over the horizon very soon. And I had originally intended to revisit some research I did Before Events Intervened and Do Something with that, but it has not been coming together as I should like, needs more percolating I think. So I am instead returning to a project I put aside when other things supervened and demanded my attention, for which I did a preliminary paper or two, and can spruce up and get, I hope, some feedback on, and maybe kickstart this back into action.

Meanwhile....

I think I mentioned being solicited to give an entertaining and instructive talk on the history of johnnies/baudruches some months hence, which I have a fair amount of material already on hand for. However, what the organisers would like is An Image for publicity purposes, fairly soonish, and REALLY. One is tempted to go with the Dudley Hoard which require a good deal of imagination to reconstruct for their original purpose.

Younger scholar whom I have been somewhat informally mentoring has now submitted their PhD thesis and would like me to read it, and think of what might come up in viva.

The project which I was involved in for some considerable while which went very weird last year, with me being somewhat accidental being left out of the loop for some months due to error in email address, so I never really got the full story, is being revived in a smaller and more defined way as a journal special issue edited by Old Friend and Me.

Meanwhile I am in the process of getting the latest volume of the Interminable Saga prepped for publication.

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Posted by Abigail Nussbaum

[This review was published in the September 2025 issue of Locus. After some back and forth exchanges, I was informed that the editors of Locus's website had decided not to run the review online. I am reprinting it here, both for my own records, and because I think this is one of the most intriguing science fiction novels published last year, one that is worthy of more public discussion.]Looking
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Here:

https://www.amazon.com/gp/product/B00...

I see its second half, Legacy, which completes the tetralogy's first arc and should be read with it, is only $4.99 at the moment, so, excellent idea to pick them both up together.

A quick check finds it at regular price at other vendors at the moment, so this may just be a Kindle thing.

Ta, L.

posted by Lois McMaster Bujold on March, 05
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Posted by John Scalzi

We have an outline! Major characters, plot lines, and various important story beats all laid out. Now to start writing it all up. Very exciting stuff.

This is worth noting because this is the first time Athena and I are doing this, but it won’t be the last, since we’ll be using this process to develop other projects soon. This is what our little family business does, after all: Think of cool stuff that we can then develop into actual projects that will hopefully become things you can see and buy. This is, hopefully, the first of many.

— JS

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[personal profile] james_davis_nicoll


Is human redemption beyond even a nigh-godlike superhuman?

The Paradox Men by Charles L. Harness

(no subject)

Mar. 5th, 2026 09:41 am
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] afuna and [personal profile] katharine_b!

Books read, January-February 2026

Mar. 4th, 2026 07:32 pm
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[personal profile] swan_tower
Beastly: An Anthology of Shapeshifting Fairy Tales, ed. Jennifer Pullen. Sent to me for blurbing purposes. This is a cross-section of fourteen largely (though not exclusively) European tales themed around the "beast bride or bridegroom" motif, some of them very well known -- "Beauty and the Beast," of course -- and others more obscure. But Pullen casts a fairly wide net, such that transformations in general wind up here, e.g. with "The Little Mermaid" making an appearance. Each comes with some introductory context from Pullen as well as footnotes throughout, many of which are overtly more about her personal thoughts on the tales than academic analysis. On the whole, I'd say this is very approachable for a layperson.

A Thousand Li: The Fourth Fall, Tao Wong.
A Thousand Li: The Fourth Wall, Tao Wong. These two were actually separated by the following title, but I might as well talk about them together. Normally I make a point of spacing out my reading of a series -- especially a long series -- because I've realized that otherwise I tend to overdose and stop enjoying them quite so much. Since these are the final two books, however, I said "screw it" and read them very nearly back to back.

(. . . mostly the final two books. They conclude their series, but Wong has begun a sequel series. Which, ironically, is even more on point for the genre research impulse that led me to pick up A Thousand Li, so I guess I'll be reading those as well?)

I do appreciate how Wong maneuvers in the back half of this series to change up exactly what kind of scenario and challenges his protagonist is facing. In The Fourth Fall, it's international diplomacy: Wu Ying has to accompany a delegation to first secure an alliance and then attempt to negotiate an end to the ongoing war with a rival land. Since Wu Ying is not a great diplomat, this is definitely a challenge, but also he's not at the forefront of it, so he feels a bit peripheral at points. On the other hand, when things (inevitably) blow up into a climactic battle, there's a delightful "when life hands you lemons, make lemonade bombs to throw at your enemy" bit of tactics, which sets the stage for the final book.

As for the final book . . . I very much liked the beginning of it, which addressed the fallout from before (including with some good pov from the secondary characters), and the ending of it, which leaned into the philosophical elements I've always found to be one of the stronger parts of this series. The middle, however, felt a bit like it was there to keep the beginning and the ending from bumping into one another. It wasn't bad, but it felt less like vital connective tissue and more like "let's put some obstacles in the way of the conclusion."

I should note, btw, that apparently this series will be getting a trad-pub re-release. I'll be interested to take a look at the first book, because I'm curious whether it's just getting repackaged, or whether it will have gotten a thorough editing scrub first. I stuck it out for all twelve books first because it was a useful tour of the cultivation genre, then because it manages some genuinely good moments of genre philosophy along the way, but . . . well, the writing has always fallen victim to the self-pub trap of reading like it was pounded out very fast with essentially no time for revision. (I think it was the eleventh book that used the word "stymie" over and over again, sometimes where that was not actually what the word means, and in at least one place, misspelled.) I'm hoping the trad pub version will polish that up, and maybe also address the less-than-stellar handling of female characters early on -- which, I'm glad to say, improved as the series went along.

When the Tiger Came Down the Mountain, Nghi Vo. Novellas are interesting because sometimes they read like short novels, and sometimes they read like long short stories. This is the latter type, with the plot essentially consisting of "Chih and companions get cornered by talking tigers who want to eat them; Chih stalls for time by telling a story, during which the tigers argue with how they're telling it." The tension with the tigers was excellently done, as was all the arguing, but the result did feel a little slight for what I was expecting from a novella.

Mythopedia: A Brief Compendium of Natural History Lore, Adrienne Mayor. This is specifically a book about geomythology, a term for which -- as with Pullen above -- Mayor takes a broad definition. Sometimes it's "here's a story about these offshore rocks that clearly sounds like a mythologized record of the tsunami that likely put them there," and sometimes it's "here's a famous tree; now we'll talk about the lore surrounding that type of tree." Interesting fodder if you're the kind of person who finds such tidbits suggestive of stories!

Ausias March: Selected Poems, ed. and trans. Arthur Terry. Read because March is possibly the most famous Valencian poet ever, so this was research for the Sea Beyond. I have no problem with Terry choosing to translate March's work as prose, because I understand the very great challenges inherent in trying to balance the demands of meaning and style while also making it work as poetry. However, Terry has a comment toward the end of his introduction about how he makes no pretense regarding the aesthetic merit of his translations, and boy howdy is there none. This is the kind of "just the facts, ma'am" translation that's useful for being able to look at the original text on the facing page and see how they line up . . . but it made for stultifyingly boring reading, and in no way, shape, or form helped sell you on March being a great poet.

Pride and Prejudice, Jane Austen. Would you believe I never read this before now? We read Emma in high school, but that's it for me and Austen on the page. A friend linked to an interview with Colin Firth, though, which made me want to re-watch the A&E miniseries, and then for comparison I watched the more recent film adaptation, and after that I thought, hey, maybe I should read the book while those are fresh in my mind!

And, well, surprise surprise, it is very good. I know the A&E miniseries well enough that naturally I envisioned and heard all the characters as those versions, but that was in no way jarring, because it's such a faithful adaptation. It was delightful to see the bits that didn't make it onto the screen, though, like Elizabeth opining on the power of one good sonnet to kill off a love affair.

Star*Line 49.1, ed. John Reinhart. I am technically in this, insofar as there's an interview with me. Otherwise, quite a lot of SF/F poetry packed into a tidy little volume.

You Dreamed of Empires, Álvaro Enrigue, trans. Natasha Wimmer. This novel is bonkers. It's about Cortés in Tenochtitlan, and about how Moctezuma and the people around him responded to that, but it's got the kind of meta voice that feels free to wander omnisciently around and also to comment from a modern perspective, like when it explains the difference between Nahua and Colhua and Mexica and why some Europeans in the nineteenth century looked at that tangle and said "fuck it, we're just gonna call them all Aztecs." And then it goes trippy alternate history on top of all that.

Literally trippy, because a lot here hinges on the use of indigenous hallucinogens. I don't know this history well enough to tell if Enrigue is really playing up just how stoned Moctezuma in particular was, but here it's very much presented as part of the political turmoil in Tenochtitlan, with the huey tlahtoāni retreating into drugs rather than dealing with the problems around him. But don't worry, this book is here to show you the ugly underbelly of both sides of the conflict -- and also things that aren't the ugly underbelly; I very much appreciated how much time (in a relatively slender novel) is spent on exploring the agency and complicated dynamics of the various people involved, so you understand at least one interpretation of why Cortés was allowed to get far enough in to do what he did, and what different individuals thought they might gain from it.

If I have one objection, it's that Enrigue gives a strong impression that most of his key indigenous characters didn't really believe in their own religion, just went along with it because of tradition and social pressure. That's an angle I always side-eye, because it generally feels like modern mentalities failing to understand those of the past. But it's a small quibble for a book I very much enjoyed.

The Alchemy of Stars: Rhysling Award Winners Showcase, ed. Roger Dutcher and Mike Allen. This anthology collected the short and long form winners of the Rhysling Award (the biggest SFF poetry award) up through 2004. What's interesting about that is how it lets you see the trends come and go: there's a stretch of time where a lot of the poetry was very science-y (sometimes more that than science fiction-y), or the bit in the early 2000s which I can best sum up as "my kind of thing." I did skip a few that just got too experimental and weird for me to get anything out of them, but otherwise, good cross-section.

Women of the Fairy Tale Resistance: The Forgotten Founding Mothers of the Fairy Tale and the Stories That They Spun, Jane Harrington, ill. Khoa Le. This is about the French salon writers of the late seventeenth century, Madame d'Aulnoy and her ilk -- emphasis on "her ilk," because half the point of this book is to talk about the ones who aren't as famous. Harrington's general thesis here is that the fairy tales they wrote were their way of expressing the troubles they faced and/or imagining better worlds, e.g. where women could choose the husbands they wanted. Each chapter gives a short biography of one of the writers, including connecting her to the others who were perhaps relatives or friends, then retells one or more of their stories.

I did like getting to read tales less familiar than "The White Cat" (which also shows up in Pullen's book), but I wish Harrington had gone more for translation than retelling, or at least had tried to adhere to a more period tone. I feel like her "yay early feminism, so relatable" mission statement led her to modernize the language more than I would have preferred, and in the cases of the stories I don't already know, that leads me to question whether the plots have also been presented in a more "updated" fashion. And while she does have an extensive bibliography at the end, the way she talks about "rescuing" these writers from obscurity does give a self-aggrandizing whiff to the whole thing, as if Harrington is the first person to pay attention to this topic. Wound up feeling like a bit of a mixed bag.

The Ode Less Travelled: Unlocking the Poet Within, Stephen Fry. Yes, that Stephen Fry, the actor. Didn't know he wrote poetry? That's because he writes it purely for his own enjoyment, not for publication. (He mentions toward the end of the book that, among other things, he knows his celebrity status would warp how those poems are received, and he'd rather just not deal with that.)

His comedic skills shine through here, as this is a highly readable introduction to formal poetry -- meaning not "poetry always about serious subjects," but "poetry that adheres to a particular form." The introduction is not shallow, though: when he leads you by the hand through meter, he doesn't stop at showing you the different feet and explaining how to count them. Instead he talks about things like the different ways you can futz around with iambic pentameter, where a trochaic substitution will sound okay vs. weird, and what effect it has if you put a pyrrhic substitution in the third foot vs. the fourth. (Though right after reading this, I came across a blog post that characterized what Fry considers a pyrrhic substitution very differently: same phenomenon in the end, but a good demonstration of how there's no One True Answer for a lot of this stuff.)

Be warned that this book is unabashedly opinionated. Fry says there are free verse poems he likes, but on the whole he has a very poor opinion of modern poetry being just about the only art where people are told "Don't worry about rules or technique! All that matters is that you ~*express yourself*~!" He thinks that acquiring a solid handle on meter and rhyme is equivalent to a visual artist learning the rules of perspective: they're vital skills even if you wind up breaking those rules later. When he gets to the section discussing particular forms, he's also unafraid to bag on the ones he doesn't think very highly of -- mostly modern syllable-counting forms like the tetractys or nonet, but also elaborate stunts like the sonnet redoublé, where you'd better be damn good at what you're doing for it to seem like anything more than a stupid flex.

The guidance, though, is very thorough and I think very accessible -- though admittedly I come at this as someone who's never had trouble figuring out how meter or rhyme work, so I'm not the best judge of that. He gives copious examples from literature, and also practice exercises for which he provides his own demonstrations: the exception to him not making his poetry public, but only a quasi-exception, because he says outright that these are pieces meant to practice the basic skills, with no expectation of them turning out good. And that is useful in its own way, because it helps chip away at the notion that poetry is some mystical, elevated thing, rather than an art whose basics you can drill without worrying about whether you've produced immortal verse.

Highly recommended for anybody who would like a solid entry point into writing poetry!

(originally posted at Swan Tower: https://is.gd/VdjDrK)

Bundle of Holding: Ninja Crusade

Mar. 4th, 2026 01:59 pm
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[personal profile] james_davis_nicoll


This new Ninja Crusade Bundle presents The Ninja Crusade, the tabletop fantasy roleplaying game from Third Eye Games of ninja, conspiracies, and martial arts.

Bundle of Holding: Ninja Crusade

The Big Idea: Lauren C. Teffeau

Mar. 4th, 2026 06:09 pm
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Posted by Athena Scalzi

Futuristic fiction doesn’t always have to be dystopian, and in fact author Lauren C. Teffau wanted to show readers a more hopeful narrative where people work together for the betterment of the planet and a goal of reaching a brighter future. Follow along in her Big Idea for Accelerated Growth Environment and see what a more optimistic future could look like.

LAUREN C. TEFFEAU:

We are living at the intersection of competing futures. Ones we thought were inevitable and others being forced down our throats by billionaires, technocrats, and foreign interests that are counter to our own. This fight over our collective future is happening while the climate crisis rages on, institutions are tested, and the informationsphere weaponized. It’s no longer a question of how to avoid the worst outcomes, but how bad those outcomes will be. 

But I firmly believe optimistic stories about the future are our way out of the doomloop. Not because they’ll accurately predict what is to come, but because they give us something to work toward, together. To that end, I wanted to explore what an international response to the climate crisis would look like in my latest book, the eco-thriller Accelerated Growth Environment, and introduce a generation of readers to one possible future full of cooperation, resilience, and competency porn. 

Such a goal is not completely out there. Once upon a time, the world came together to reduce ozone emissions in response to the discovery chlorofluorocarbons were punching a hole in the atmosphere. The effort was so successful, the ozone layer is on track to completely regenerate, according to Wikipedia, by 2045. That’s amazing, even moreso considering that level of international coordination seems impossible today. But maybe, just maybe, it’s something we can work toward in the years to come. 

So imagine things change, and the political will is finally ascendant to tackle the climate crisis. Enter the Climasphere, a groundbreaking megastructure that can support nearly every biome on Earth and grow plants essential to rewilding efforts across the world, signifying a new era of climate cooperation. It’s also the high-tech setting for Accelerated Growth Environment. Principal Scientist Dr. Jorna Beckham just wants to focus on her research while her horticulture techs are on break following the grueling inaugural harvest.

She manages the habitat with the help of her trusty robot sidekick Savvy while Commander Kaysar sees to everything else. But when an explosion rocks the Climasphere, Jorna is the commander’s number one suspect. Her family belongs to a technology-adverse religion that believes the Climasphere’s genetically-altered plants are a rejection of God’s gifts to humanity. Jorna must clear her name if she wants to keep her dream job and any possibility of a future with the commander.

I’m honored Accelerated Growth Environment is the first acquisition and release from Shiraki Press, a new publisher specializing in hopepunk stories for a brighter future. Keep an eye out for more titles from them in the months to come. 

And never forget we are capable of great things—we need to be. No matter all that has happened this year as we grapple with betrayals of the past and the predatory power grabs of the present, we must remember all the amazing things we can do in preparation of the future we will build together.


Accelerated Growth Environment: Amazon|Barnes & Noble|Bookshop|Shiraki Press 

Author Socials: Website|Instagram|Bluesky|Linktree  

Wednesday offers condolences

Mar. 4th, 2026 06:17 pm
oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)
[personal profile] oursin

What I read

Finished A Slowly Dying Cause and she does seem to be grinding these out rather. Also I didn't actually check the details but there were some descriptive passages of places that seemed very similar, or least deploying the same epithets - 'the demilune beach' I think was one - that seemed a bit cut and paste. Also maybe more Havers, but when she finally appeared did we want that plot development??? And something entirely new (or rather, old and heritage) for Lynley to angst about.

Then read the latest Slightly Foxed.

Then onto GB Stern, The Woman in the Hall (1939), which it is longer since I last read than I thought. Still v good but not sure that I will be reccing it for the book group.

Then this already discussed - further thought that it was rather like hearing somebody tell one about book they have read - at least this bore a fairly close resemblance to the original, was not like that scene in one of E Nesbit's Bastable novels in which they talk about Charlotte Yonge's The Daisy Chain and all appear to have been reading entirely different book.... But still left a lot out.

On the go

After that I actually started Nicola Barker, TonyInterrupter (2025), Kobo deal/sortes ereader, which I was quite enjoying, and then -

Arrival of Barbara Hambly, Death at the Palace (A Silver Screen Historical Mystery Book 4) so am currently immersed in that.

Next up

And after that, imagine it will be straight on to Cat Sebastian, Star Shipped, which also published yesterday. Then maybe back to TonyInterrupter.

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