(no subject)
Jul. 26th, 2008 10:59 pmAppendix to the addendum:
A wild, crazy not-a-theory: does the difference in attitude between fictions which embrace ambiguity/uncertainty and those which cleave to clear lines and certainty... perhaps reflect a tension between a (deistic?) view of an ultimately moral or accountable universe and a (agnostic?) view of an ultimately unknowable or unaccountable one?
...Okay, I shouldn't attempt to relate narrative and theme to philosophy, should I?
I'll stop now. Really.
A wild, crazy not-a-theory: does the difference in attitude between fictions which embrace ambiguity/uncertainty and those which cleave to clear lines and certainty... perhaps reflect a tension between a (deistic?) view of an ultimately moral or accountable universe and a (agnostic?) view of an ultimately unknowable or unaccountable one?
...Okay, I shouldn't attempt to relate narrative and theme to philosophy, should I?
I'll stop now. Really.
no subject
Date: 2008-07-26 11:08 pm (UTC)It's a nice chewy question, to which my answer is No. (First of all, I think you mean "theistic" rather than "deistic.") My version of religion is that there are answers, but we don't know them. Ineffable, and that. (Shut up, Aziraphale.)
OTOH, plenty of my coreligionists do believe in a visible, earthly dichotomy between the saved and the damned. They are, of course, wrong.
OTGH, somebody I can't remember has a theory that classical mysteries (Sayers, Christie, et al.) take place in a fundamentally knowable, nonhostile universe, whereas horror takes place in an unknowable, hostile universe. So yeah, maybe you're right at that.
no subject
Date: 2008-07-26 11:30 pm (UTC)Some people like answers. Some people admit that the questions are unanswerable.
You figure out who my sympathy is with?
no subject
Date: 2008-07-27 01:00 am (UTC)no subject
Date: 2008-07-26 11:32 pm (UTC)But that's why I had brackets and question marks. I'm not sure if a clear distinction is justified - in fact, I'm not sure I can make clear distinctions, period. (Considering I was also using 'agnostic' sloppily, to indicate uncertainty about either the existence and/or the nature of god - and the, I suppose, moral/rational nature of the universe.) But I'm also drawn to a strong suspicion that there's at least a correlation between having a theistic view of a moral, knowable universe - or at least a non-hostile one - and the degree of no-good-answer ambiguity one tolerates in one's fictions.
It's a thing that occured to me to think about, anyway. :)
no subject
Date: 2008-07-27 12:09 am (UTC)no subject
Date: 2008-07-27 12:58 am (UTC)I wonder if I can ask you what you mean by 'more', here, though. Do you mean your outlook means you can enjoy more no-good-answer ambiguity than if you did not have this outlook? Or that you feel it gives you a leg up on enjoying no-good-answer ambiguity fiction over people who tend more to the 'ultimately unknowable/unaccountable' outlook?
(Full disclosure: I'm iffy over whether the word 'theistic' - every time I see it I do the I-don't-want-to-start-a-god-fight! reflexive twitch - belongs in the discussion over the moral/knowable nature of the universe and its correlation to ambiguity tolerances in fiction? But I put it there, 'cause moral and knowable seem to correlate to theism. Which is probably another discussion. Anyway.)
no subject
Date: 2008-07-27 01:12 am (UTC)no subject
Date: 2008-07-27 01:25 am (UTC)I'm an unknowable/unaccountable sort myself. No-good-answer ambiguity is the kind of fiction I engage with/enjoy it a lot more (even when it's doing its best to rip my heart out), and consider it much more a reflection of my experience of the world.
(Not to mention coming across some of the tougher ethical dilemmas in my fiction means I get a headstart on developing an argument on other forms of ethics before they come up in my life. Which, hopefully, they will not. But you know what they say about preparation.)
no subject
Date: 2008-07-27 06:09 am (UTC)In the annoying Sherri Tepper interview at SH, she divides fiction as being good story-telling (which she defines as having a happy-ending etc) as opposed to literary works (which she defines as having sad/ambigous ending and being hard to read). You can guess which ones she reads and which she scorns.
I think the limitation on what you're saying isn't that you shouldn't consider matching what kind of books people like to their personal philosophy, but that by reducing both fiction and people to only two groups, you'll end up with more outlying datapoints than concordant ones.
Or, of course, I could be being misled because people watching Farscape could be watching for the fun, puppets, and angsty romance rather than to see John-boy both adapt to his surroundings and *break* -- making exceptions not exceptions because they don't see the same story (Sherri Tepper might consider the end of Romeo & Juliet a happy one and therefore decide Shakespeare is a good storyteller) o.o
no subject
Date: 2008-07-27 06:54 pm (UTC)I don't believe in answers. Only better questions. :)
no subject
Date: 2008-07-28 01:38 am (UTC)no subject
Date: 2008-07-28 06:53 pm (UTC)no subject
Date: 2008-07-28 12:31 am (UTC)no subject
Date: 2008-07-28 01:54 am (UTC)no subject
Date: 2008-07-27 03:06 pm (UTC)That makes sense to me.
no subject
Date: 2008-07-27 07:00 pm (UTC)