hawkwing_lb: (Aveline is not amused)
Books 2011: 112-113


112. David Drake, Out of the Waters.

Drake's latest fantasy is the sequel to last year's Legions of Fire. In this volume, the protagonists must face another sorcerous threat to the city of Carce, their lives, and their world. The danger this time is the monster Typhon and inhabitants of a skew-dimensional Atlantis, and both set up and payoff is entertaining.

Drake's new Elements of Fire series bears passing resemblence to his previous Lord of the Isles series in both metaphysics and tone. I enjoyed the Isles books (up until the concluding pages), but the similarities are striking. Party separation, dimension-crossing monsters, wizards from the edge of the world - and the recurring prominence of the jungle/bizarre forest as a place to travel through while pursuing or fleeing magical threats.

His Carce - Rome in all but name, down to visiting Greek philosophers from Alexandria - is solid and appealingly Roman-like. His characters, too, despite the similarities I keep noticing to characters in the Isles series, are well-constructed people.

All in all, an enjoyable read, if not a stand-out one.


113. Timothy Zahn, Star Wars: Choices of One.

Despite my dislike of the direction the Star Wars Expanded Universe has taken in recent years, Timothy Zahn still writes most excellent space adventure, in Lucas's playground or out of it.

Choices of One takes place between Star Wars: A New Hope and The Empire Strikes Back. It involves treacherous governors, snarky Han Solo, and young!Admiral Thrawn. It made me happy.
hawkwing_lb: (Anders blue flare)
Books 2011: 108-111


Fair warning: this time I'm going to talk about an entire series at once, since I've just read the most recent two books and re-read the first two. (It's been long enough since the first time that my re-read should probably count as New Reading in its own right.)


108-111. Kristen Britain, Green Rider, First Rider's Call, The High King's Tomb, & Blackveil.

Britain's first novel, Green Rider, was first published in 1999. Its sequel, First Rider's Call, followed in 2003, with the next installment (The High King's Tomb) following in 2007, and the latest volume (Blackveil) this year.

Green Rider is the story of Karigan G'ladheon, a young woman who by chance encounters a fatally wounded messenger. Following his dying request, she takes up his message and sets out to deliver it to the king. A journey fraught with peril and magic culminates in treachery and battle, and Karigan is instrumental in saving the day.

Subsequent volumes take up the threat of an ancient and powerful evil being, Mornhaven the Black, and the struggles of Karigan and her fellow king's messengers to preserve the kingdom of Sacoridia in the face of danger. Disturbed ghosts, kidnapped noblewomen, haunted forests, cursed pirates, and the walking dead: what's not to like?

I'll be honest. I first encountered Green Rider the year of its publication. I was thirteen, and devouring Robert Jordan and Mercedes Lackey, Raymond E. Feist and Terry Goodkind (I never claimed to be a discerning thirteen-year-old), and I was favourably impressed with Green Rider. It's entertaining, and has the requisite amount of Cool Shit for second-world fantasy.

The things I enjoyed about it - then and now - are also the things I enjoyed about its sequels. They could also just as easily be seen as flaws. Karigan can come across as very young, emotionally, and there is occasionally a disjunct between the narrative's view of her and the impression given by her actions. The world - and the world-building - passes over the complex social and economic systems necessary for the dynamic maintenance of a semi-feudal system (logistics! won't somebody think about the logistics?!) in a silence punctuated every so often by what seem like anachronisms of thought and deed. There is a charmingly naive cast to this world, in which a king can wonder if kingship is unfair to his people and a merchant's daughter can tell off a king with impunity.

Of course, the bad guys are evil absolutists and cultists. They don't - quite - torture puppies for fun, but that might only be from lack of opportunity. Britain's prose doesn't intrude itself into the narrative: it's not lyric, but there are flashes of elegance. She does have a tendency to sidestep developments which could be interesting by allowing them to happen in the space of time in between each book: I'm thinking particularly of the gap between Green Rider and First Rider's Call, but also between Call and The High King's Tomb.

But despite their flaws, I find these books immensely entertaining. (In much the same way as I found Stargate SG:1 entertaining despite its innumerable flaws.)

The series is, on the evidence, not yet finished, although with the exception of the latest - which cliff-hangered, dammit - the books are sufficiently self-contained that this is not too much of a problem. Fortunately, considering that four years between books is a slow pace even in the famously lengthy gestation times of epic fantasy.

I expect I'll book five, when it turns up, equally entertaining.
hawkwing_lb: (Bear CM weep for the entire world)
Books 103-107

nonfiction

103. Adomnán of Iona, Life of St Columba. Penguin Classics, London, 1995. Translated with an introduction by Richard Sharpe.

An interesting saintly life of one of the more famous saints of the early Christian church of these islands. The introduction is sufficient for a book in itself, being one hundred pages long and more than adequate to its aims. The Life itself is concerned primarily with the proofs of Columba's sainthood, not with a linear narrative, but is nonetheless fascinatingly revelatory in its preoccupations.


104. Euripides, Bacchae and Other Plays. Oxford World's Classics, Oxford University Press, Oxford, 1999. Translated by James Morwood, with an introduction by Edith Hall.

Comprising Iphigenia among the Taurians, Bacchae, Iphigenia at Aulis, and (generally accepted to be by an unknown 'pseudo-Euripides') Rhesus. These are striking pieces of literature, given a fluent and readable translation. The two Iphigenias are the most moving of the plays; Rhesus is by far the weakest. The introduction is short but solid, and the plays - well, very much of their time: Classical Athens for the definitely Euripidean offerings, probably Hellenistic for Rhesus, which features a (sort of) braggart soldier of the kind seen in Latin comedy.

Interesting. For me, definitely worth reading.


105. Plato, Protagoras. Oxford World's Classics, Oxford University Press, Oxford, 1996. Translated with an introduction by C.C.W.Taylor.

What is excellence, and can it be taught? These are the questions which Protagoras asks, and on which Plato offers an interesting perspective. The translation is brisk and readable, the introduction brief, the notes reasonably extensive. A short and enjoyable piece of philosophy.


106. Plato, Phaedo. Oxford World's Classics, Oxford University Press, Oxford, 1996. Translated with an introduction by David Gallop.

An account of the death of Socrates, encompassing a philosophical dialogue on the nature of the soul. Definitely interesting.


107. Bertrand Russell, Why I am not a Christian: and other essays on religion and related subjects. Routledge Classics, Routledge, Oxford, 2004. First published 1957.

Russell is a remarkably readable and clear-sighted philosopher, whose chatty tone belies an intellect made of razors. I disagree with him as much as I agree with him, but I never find him less than thought-provoking. Why I am not a Christian is a frank look at Russell's views on religion - Christianity, the religion of his milieu - and other such things as freedom of thought and speech in universities, morality, and the existence of god.

Despite the fact that the book is over fifty years old, and many of the individual essays are even older, a great number of his views are still not only relevant but radical.




Even more books soon to come. By the by, is anyone else impressed with David Yates' directorial choices on the final Harry Potter film? Because the Hogwarts scenes have some brilliant use of colour and light.

The whole grey-sere broody thing. Seriously. Make me more films with this tonal quality. And Alan Rickman.
hawkwing_lb: (Default)
Books 2011: 98-102


98. Jon Courtenay Grimwood, The Fallen Blade.

1407. An alternate Venice filled with tense, brooding darkness; a boy with strange abilities and stranger hungers; secrets, politics, and blood. A very good book, and a longer review of it (by me) should be forthcoming from Tor.com by the end of September.


99. Karen Healey, Guardian of the Dead.

Contemporary YA fantasy debut from a New Zealand author, using a lot of interesting Maori mythology. Excellent book.


100. David Liss, A Conspiracy of Paper.

Historical mystery set in 18th-century London, featuring former boxer Benjamin Weaver, the so-called Lion of Judah, the Bank of England, and the East India Trading Company. Interesting and enjoyable reading.


101. Charles Stross, Rule 34.

You enjoyed Halting State and you think the second person narration is a cool trick. You think pulling it off for several distinct personalities is taking the stunt a bit far, but you find Rule 34 to be fast and interesting and diverse, and since second person is by no means the only cool trick in store, you don't really mind. You really quite enjoy it, actually.

And you resolve in future not to let second person narration creep into your reviews.


102. Ellen Kushner, Thomas the Rhymer.

Lush, patient, measured, stunning: these are some words which apply. They are by no means the only words which apply, but Kushner takes the medieval Thomas the Rhymer ballad tradition and does something exquisite with it.




More books will be reported upon soon. I have to catch up with my neglect in short spurts. :P
hawkwing_lb: (No dumping dead bodies)
Books 2011: 95-97


95. Chris Wooding, Retribution Falls.

Spoilers.

First published in the UK in 2009, and re-released earlier this year for the US market, Retribution Falls is a tale of airships and pirates, double-crosses and ne'er-do-wells, Cool Shit (tm) and banter, and Things That Go BOOM! in the most entertaining possible way.

Darian Frey, rakehell, screw-up, occasional smuggler and small-time pirate, is captain of the airship Ketty Jay. His small and highly dysfunctional crew is composed of alcoholics, terminal fuck-ups, and people with nowhere else to go. So far, they've managed to keep scraping a living together, and when the chance for a really big score comes along - a cargo airship, allegedly carrying jewels - Frey can't resist.

But the airship is rigged to blow, and when it explodes, Frey finds himself at the top of the Most Wanted list. Because what the ship was carrying wasn't jewels, but an Archduke's only son. In order to survive, he needs to find the person truly responsible, all the while avoiding the Navy, the Century Knights, and hired bounty-hunters - whose number includes the terrifying pirate captain Trinica Dancken, with whom Frey shares something of a past.

This is a tight, fast-paced book. It hooks you from the opening pages and just keeps racing along in hails of bullets, bloody fights, and banter, in an atmosphere remniscent of some 19th-century frontier. We're introduced to all of Frey's crew in short order: the wanted daemonist Grayther Crake, the new navigator Jez - who hides a dangerous secret - Malvery the alcoholic surgeon, Silo the engineer, the flyboy Pinn and the terrified pilot Harkins, and the golem Bess - and almost as soon as they appear, they're involved in a firefight.

There's a lot of interesting detail hiding in the background. Daemonism - magic, but practically outlawed - and the recent history of this world of airships and politics, pirates and Century Knights. The characters are well-drawn, rounded people. And Frey, while he starts out as a charismatic amoral rogue, undergoes significant character growth. He doesn't end up as admirable, by any stretch of the imagination, but I liked him rather more by the end than at the beginning.

Retribution Falls is really quite brilliant - it even deserves the adjective rollicking, because it's one hell of a ride.

(And if someone ever makes a miniseries of it for the television, I am so there. Because Cool Shit. And explosions!)


96. Chris Wooding, The Black Lung Captain.

I'm supposed to review this properly in this autumn's Ideomancer, so for now I'll content myself with saying that, as a sequel to Retribution Falls (which could easily stand alone), it is another step up in impressive, pacey Cool Shit with good characters.


97. Kevin Hearne, Hammered.

Third book in the Iron Druid series. This time, druid Atticus Sullivan is taking on the Norse god Thor in another fast-paced, amusing urban fantasy, complete with ominous omens and battles in Asgard. Entertaining, though light.




Today, I triumphed over the evil that is clothes shopping and successfully purchased shorts that fit. I celebrated this by going to the gym.

Running: 0.6 miles in 5 minutes, 1.75 miles in 20:50. Cycling: 4K in 16:00. Ten minutes of bouldering.
hawkwing_lb: (Default)
Books 2011: 93-94


93. The Táin: A New Translation of The Táin Bó Cúailnge. Translated by Ciaran Carson. Penguin Classics, Penguin, London, 2008.

Carson's translation of the Táin Bó Cúailgne, the Irish epic also known as the Cattle Raid of Cooley, first appeared in print in 2007, making it several decades younger than the previous standard translation by Thomas Kinsella. Carson is a poet by profession, and his facility with language is reflected in a graceful, striking translation that alternates prose with rhymed and unrhymed verse as appropriate to the original sensibilities of the text.

The text of the Táin is not unitary, as Carson acknowledges. The text as transmitted exists in two recensions, possessed of significant discrepancies. In his own words, "There is no canonical Táin, and every translation of it is of necessity another version or recension."

But the main thrust of the story is well known. How Medb of Connacht was jealous of her husband Ailill's prize bull, Finnbennach; how they set out to acquire the only bull in Ireland to match Finnbennach, the Donn Cúailgne (the Brown Bull of Cooley), from the lands of Ulster; how the men of Ulster are laid low by their periodic curse, and the armies of Medb and Ailill are opposed by the young hero Cú Chulainn, who kills many in feats of bloody and extravagant violence, including his foster-brother, Fer Diad.

How in the end the two bulls meet in battle and kill each other, rendering the whole tale an exercise in gory irony.

There's pathos and humour in the tale, particularly when it comes to Fergus Mac Rossa Roích, leader of the Ulster exiles in Medb's service and Cú Chulainn's foster father. (He was driven from Ulster because he stood surety for the sons of Uisne, and Conchobar dishonoured his sureties by killing them.) Some of the best banter in the whole thing involves Fergus, and his chess game with Ailill (after Ailill steals his sword, because he is lying with Medb) is a thing of beauty.

I'd forgotten how much I actually enjoy the Táin, and as literature, Carson's translation more than does it justice.


94. Plutarch, On Sparta. Translated with an introduction and notes by Richard J.A. Talbert. Penguin Classics, Penguin, London, 2005.

Talbert's translation of those of Plutarch's writings that deal with Spartan things was first published in 1988. This edition includes a new translation of the Life of Agesilaus in addition to the Lives of Lycurgus, Agis, and Cleomenes, the Sayings of Spartans and the Sayings of Spartan Women. It also includes, as an appendix, (pseudo-)Xenophon's Spartan Society.

With the exception of the Life of Lycurgus, the semi-mythical Spartan lawgiver, the Lives included here essentially chart the decline of Spartan society, after the apex of its power during the Peloponnesian Wars. Agesilaus presided over Sparta's defeat by Thebes and the loss of a great deal of territory; Agis attempted to reform Spartan society and was condemned to death by his own people; and Cleomenes ended his life by suicide after exile and house arrest in the Alexandria of King Ptolemy.

Sparta's decline is an interesting one, though one somewhat obscured by the so-called 'Spartan mirage' in which the state's heyday has been shrouded since antiquity. Plutarch is a reliable source for events, though not, perhaps, for motivations. He, too, is somewhat dazzled by the glare of Sparta's 'Lycurgan constitution,' which may make his description of the antiquity of some Spartan institutions a little suspect. Nonetheless, it makes for fascinating reading.

The Sayings comprise a relatively short section of the volume, and consist of the kind of pithy wit for which Spartans were famous throughout Greece. Sayings along the line of: "Leotychidas the son of Ariston said to the man who mentioned that Demaratus' sons were spreading bad reports about him: "By the gods, I'm not surprised, since none of them could ever find a good word to say."

An interesting volume, and a very readable translation.




Gym today. 2.5 miles in 28:40, treadmill; 8K in 32:30, exercise bike. Jujutsu.

Jujutsu was mostly full of Kali stick drills again. Stick drills are getting complicated. Where last week we were doing a single basic 1-1-2 drill, this week we were stringing three combinations together.

And damn, but that was confusing. And tiring. Especially what with the footwork and all.

The bare-handed strike-counterstrike-takedown drills for the last twenty minutes came as quite the relief, I tell you true.
hawkwing_lb: (dreamed and are dead)
Before I get started with the talking-about-books, I want to mention something. From now on, I'll be providing links to The Book Depository for the books I mention here.

Confessional disclaimer: I've joined their affiliate program. All far as I can tell, they aren't particularly evil, and I've been very happy with their customer service on my own orders with them so far.

Right! On to the -

Books 2011: 86-92


86. Jacqueline Carey, Naamah's Blessing.

The third and final volume in Carey's most recent Terre d'Ange trilogy, Naamah's Blessing follows Moirin, our half d'Angeline half-Maghuin Donn narrator, in her return to Terre d'Ange with her husband Bao, and the trials that confront her there. The royal family is broken: the king is grieving the death of his second wife, Prince Thierry has disappeared in a trade expedition across the sea, and the young princess - daughter of Moirin's former patron, the late queen Jehanne - is precocious but neglected. When Moirin accepts a charge from the king to serve as the princess's protector, she is drawn into d'Angeline politics -

- Just in time to be forced away across the ocean in search of Prince Thierry, a journey which brings her, Bao and their companions through the new and strange lands to the west, finally to confront unfinished business with Raphael de Mereliot.

There's a lot to like here. While Blessing suffers very slightly from the diffusion of focus in terms of unifying theme which the trilogy's preceeding volumes also possessed (or perhaps I simply find Moirin's voice less compelling than Phedre's or Imriel's), the characters are well-rounded and often brilliantly drawn. Carey draws on indigenous South American culture in her depiction of the New World, and walks a fine, delicate line in juxtaposing the beautiful and the brutal to make human sacrifice seem understandable - at the novel's climax, even sympathic.

The climax comes a little far from the novel's end, however. While the wrapping-up of threads is elegantly done, it does drag a little towards the finish.

Enjoyable book, and a solid addition to the series.


87. Gail Carriger, Heartless.

Fourth Alexia Tarabotti novel. The pace in this is uneven compared to its predecessors, and the humour less full-bodied. However, vampire assassination attempts, werewolf liaisons, and rampaging mechanical contrivances in the streets of Queen Victoria's London make for an entertaining combination.

Fun.


88. Erin Hoffman, Sword of Fire and Sea.

An entertaining fantasy debut, containing an overabundance of cool shit, and possibly an underabundance of connective tissue. I enjoyed it, and I hope to have more to say about it later.


nonfiction

89. James Kelly, The Liberty and the Ormond Boys: Factional riot in eighteenth-century Dublin. Maynooth Studies in Local History, Four Courts Press, Dublin, 2005.

A very short - ~60 pages - book discussing the phenomenon of faction-fighting in Dublin city in the 1700s. The primary factions comprised the Liberty boys - the weavers of Thomas St. and the Coombe - and the butchers of Ormond quay and the Smithfield market. For all its brevity, it's an interesting and illuminating work considering the causes and manifestations of factionalism, and the trends that led to its demise.


90. Plato, Meno and Other Dialogues. Oxford World's Classics, Oxford University Press, Oxford, 2005. Translated with an introduction and notes by Robin Waterfield.

This volume comprises the four dialogues Charmides, Laches, Lysis, and Meno. The first three concern themselves with self-control, courage and friendship, while Meno is concerned with the nature of excellence, and whether excellence is an attribute that can be taught. This particular dialogue concludes with the self-professed bafflement of both Socrates and his interlocutor, Meno.

They make for interesting reading, and are very slightly useful to my thesis.


91. Stephen O'Shea, Sea of Faith: Islam and Christianity in the Medieval Mediterranean World. Walker Publishing Company Inc., New York, 2006.

This is a very accessible survey of the encounter between the Islamic and Christian worlds in the Mediterranean. O'Shea casts an admirably wide net, beginning in the lifetime of the Prophet and concluding with the siege of Malta, touching on everything from Medina to Morocco, Byzantium to Sicily, Templars to Ismailis, Saladin to El Cid.

It's a brilliant book, immensely knowledgeable and immensely readable. I have the impression that O'Shea is privileging accessibility over pettifogging detail, and I really don't mind, because I vastly enjoyed reading this.


92. Bertrand Russell, In Praise of Idleness. Routledge Classics, Routledge, Oxford and New York, 2004.

This book should be required reading. For everyone.

Bertrand Russell was, of course, a prominent intellectual and philosopher in the first half of the 20th century. In Praise of Idleness collects some fifteen of his essays, which the copyright page of my copy informs me were first collected and published in 1935. They have aged surprisingly well, all things considered: Russell is a very accessible prose stylist, and while occasionally his cultural assumptions have me saying hell, no, much of what he writes is extremely thought-provoking. A lot of the time I found myself saying hell yes.

Of the essays collected here, the first two, "In Praise of Idleness" and "'Useless' Knowledge" are substantial, and remain radical and thought-provoking the better part of a century after their first appearance. "The Case for Socialism" is also a thoughtful defence of a political philosophy that remains derided. "The Ancestry of Fascism" is a lengthy piece which is very much of its time, a trait which it shares with "Scylla and Charibdis, or Communism and Fascism," but both these essays are interesting for the insight into the world of the nineteen twenties and thirties. "Western Civilisation" partakes much of sardonicism, and one or two of the shorter essays - "Men vs. Insects," for example - may be a little lightweight.

Nonetheless, the essays are a fascinating and provoking discussion of themes which remain relevent even today.




We shall pass over without mention the bits-of-books I have read for thesis work. Blergh, I say. Blergh.

Although I think I'm almost getting to the point where I can make a decent beginning on actually writing the bloody thing.




Yesterday's minor freakout was followed by productive emailing. And today, much exercise. Cycling 10K in 38:45, followed by running. 1 miles in 11:02, 2 miles in 24:30.

Oh, insanity. I wish you were more... amenable to regulation.
hawkwing_lb: (It can't get any worse... today)
Books 2011: 80-85


80. Malinda Lo, Ash.

A different take on the Cinderella story, in which Ash, our titular heroine, grows up and falls in love not with the prince, but with the King's Huntress. (And yay for having a YA with a lesbian romance as its centrepiece. I hope soon this will be common enough that I don't feel the need to remark upon it.)

I liked this book a lot better than Lo's Huntress. It's a tighter, more focused story, with its emphasis on Ash's growth. For all that, the climax and denouement felt a bit rushed. I can't escape the feeling that this would've been a better book if it had spent a little more time on the resolution of Ash's conflicts.

I enjoyed it.


81. Carrie Vaughn, Kitty's Big Trouble.

Latest book in the Kitty series. Fun, light, entertaining, sarcastic. What more could a person ask for, out of a couple of hours' entertainment?


82. Jim Hines, The Snow Queen's Shadow.

The latest, and apparently for now the last, book in Hines' Princess series. The tone of this one is rather darker than that of previous installments, and for the first time, not all of our heroes come out unscathed.

It's a good book, even if it's not the book I was expecting to read.


nonfiction


83. Early Irish Myths and Sagas. Penguin Classics, London and New York, 1981. Translated with an introduction by Jeffrey Gantz.

This edition collects an English translation of a variety of accounts from the early Irish mythological and Ulster cycles. These include 'The Wooing of Etaín,' 'The Destruction of Da Derga's Hostel,' 'The Dream of Óenghus,' 'The Cattle-Raid of Fróech,' 'The Labour Pains of the Ulaid & The Twins of Macha,' 'The Birth of Cú Chulaind,' 'The Boyhood Deeds of Cú Chulaind,' 'The Death of Aífe's Only Son,' (Connla, the son of Cúchulainn), 'The Wasting Sickness of Cú Cúlaind & The Only Jealousy of Emer,' 'The Tale of Macc Da Thó's Pig,' 'The Intoxication of the Ulaid,' 'Bricriu's Feast,' and 'The Exile of the Sons of Uisliu.'

The stories reflect the warrior-heroic ethos of Iron Age Ireland, and the permeability of this world and the world of impossible transformations and improbable deeds of divinities and demi-gods. It is a fascinating and complex literature, and makes me wish I had the time and space to spend more time reading it.


84. Tales of the Elders of Ireland. Acallam na Senórach. Oxford World's Classics, Oxford, 1999. Translated with an introduction and notes by Ann Dooley and Harry Roe.

Dooley and Roe here translate the 12th-century Acallam na Senórach, a comprehensive collection of stories concerning Finn and the Fíanna, as related by the fían-warrior Cáilte son of Rónán to Patrick the saint, son of Calpurn.

It's a very interesting piece of literature, for Patrician hagiography - angels, demons, conversions - meets the warrior-heroic world of Cáilte and Oisín, which in turn partakes of the otherworldly milieu of the Túathu Dé Danann, who live in the Síd mounds and fight both with each other and with the Sons of Míl.

Cáilte himself is a semi-tragic figure, for apart from Oisín, he has outlived all his companions of the Fíanna. Despite his obvious heroic attributes, more than once in the text he laments his age and weakness.

It's a very interesting window on what the twelfth century thought of the preceding centuries, not to mention the body of myth itself.


85. Aeschylus, Prometheus Bound and Other Plays. Penguin Classics, London and New York, 1961. Translated with an introduction by Philip Vellacourt.

This edition comprises Prometheus Bound, The Suppliants, Seven Against Thebes, and The Persians. Vellacourt has chosen to render his translation largely in unrhymed iambic pentameter, which gives a certain appropriate stately grace to the Greek verse while remaining quite readable.

It's a pity I find Greek tragedy generally dull, with much wailing and lamenting and next to no doing of deeds. Interesting as cultural background, and some of the translation here is actually quite beautiful, but Aeschylus is a long way from being my favourite ancient author.




So, who should I read next? Cicero, or Seneca?

This whole acquiring a Classical education business is fun. But I wish I didn't feel obliged to read quite so fast, so that I can learn stuff for the thesis with rapidity...

And speaking of the thesis, I should probably make myself a to-do list. Again. Greece in five weeks, after all.
hawkwing_lb: (Aveline is not amused)
Books 2011: 76-79


76. Malinda Lo, Huntress.

I'd heard so many good things about Lo's Ash and Huntress that I walked into this book expecting it to be a tour de force. The problem with having high expectations comes when the material doesn't live up to your image of what to expect. Huntress is a good book, with some interesting characters, but it's not the Stunning Work of Fascinating Genius I'd expected.

But all in all, good book.


77. Dashiell Hammett, The Maltese Falcon.

I read this in the Everyman's Library edition, and I kept getting distracted by the texture of the pages. Everyman's Library editions are just beautifully put together books - comparatively, they feel like luxury, though I got this one in the bargain basement.

It's an interesting book. Hammett is a brutally elegant prose stylist, but I'm not sure I actually enjoyed the story.


nonfiction


78. Usama ibn Munqidh, The Book of Contemplation: Islam and the Crusades. Penguin Classics, London and New York, 2008. Translated with an introduction and notes by Paul M. Cobb.

A fascinating book by the 12th-century soldier, writer, and sometime schemer, Usama ibn Manqidh. It's a series of anecdotes, and very interesting ones they are.


79. Amin Maalouf, The Crusades Through Arab Eyes. Schocken Books, New York, 1984. Translated by Jon Rothschild.

An interesting perspective on the history of the Crusades.




I am implausibly tired. I wonder why this is?
hawkwing_lb: (Default)
Books 2011: 68-75


68. Mark Lawrence, Prince of Thorns.

ARC provided by Tor.com. A proper review should be forthcoming there, eventually. For now all I will say is that despite some pretty good writing, I did not like it.

Oh, and it's the opposite of a feminist book.


69. Ben Macallan, Desdaemona.

[livejournal.com profile] desperance knocked this one out of the park. It is urban fantasy, but the seventeen-year-old protagonist, Jordan, has a fantastic voice. He's been on the run for years, and seventeen for years, and the amount of interesting Cool Shit (tm) in one urban fantasy novel - well, I hope Ben Macallan will have other names, is all I can say.

Also, how can you object to a novel that opens with, "I might never have found Sarah in time, if it hadn't been for the banshee"?


70. Kevin Hearne, Hexed.

Sequel to Hounded. In this, the Arizona-based 2,000 year-old druid Atticus Sullivan has a spot of trouble involving rampaging Bacchants, World War II-vintage evil witches, and a neighbour with an RPG.

The Celtic myth bits continue not to make me want to scream - they're pretty well done, actually - the pace is decent, the voice is pretty good, if a little too modern for your average relic, and its sense of humour meshes well with my own. All in all, pretty damn good.


nonfiction


71. Brook Holmes, The Symptom and the Subject: The Emergence of the Physical Body in Ancient Greece. Princeton University Press, Princeton and Oxford, 2010.

An interesting, if long-winded, book on the development of the idea of the physical body, the soma, in ancient Greece. Thesis reading. Parts of it are fascinating, parts of it deathly dull.


72. Victor Turner and Edith Turner, Image and Pilgrimage in Christian Culture. Basil Blackwell, Oxford, 1978.

I'm cheating by counting this, since I skim-read it for the thesis on the advice of my supervisor. (It was mostly not relevant.) Folks interested in Christian pilgrimage in Mexico, at St. Patrick's at Lough Derg, and Marian Pilgrimage would no doubt find it fascinating. Me, I am still yawning.


73. Tim Mackintosh-Smith, Landfalls: On the Edge of Islam from Zanzibar to the Alhambra. John Murray, London, 2010. This edition 2011.

The third, and sadly final, book of Mackintosh-Smith's travel adventures in the footsteps (or footprints) of the medieval Islamic traveller Ibn Battutah. Brilliant, informative, garnished with some lovely turns of phrases, and illustrated with sketches from the professional artist Martin Yeoman. It's a very enjoyable book.


74. The Quran, translated by M.A.S. Abdel Haleem. Oxford World's Classics, Oxford University Press, Oxford, 2004. This edition 2010.

I figured, after studying the books of the other Abrahamic religions in college, that it probably behooved me to acquire a passing familiarity with the writings of Islam. Particularly since I'm starting to find the medieval Islamic world quite fascinating.

Like every most other religious book on the planet, it comprises long stretches of reasonably predictable exhortation followed by moments of interesting novelty. I wouldn't read it again for pleasure. But I don't regret having read it.


75. Euripides, Medea and Other Plays. Translated and edited by James Morwood, with an introduction by Edith Hall. Oxford World's Classics, Oxford University Press, Oxford, 1998.

This edition includes Medea, Hippolytus, Electra, and Helen, in that order. Reading them partly for personal satisfaction and partly as research, I found myself surprised by the decision to put Medea first. By any stretch of the imagination, Medea is by far the most stirring of the plays in this volume, and the other plays suffer by being read in its shadow.

But they are interesting plays, and this translation is fluid and readable.




Films recently viewed:

X-Men: First Class.

I have no emotional investment in the X-men franchise, so apart from the rather horrendous treatment of the female characters, this was an entertaining film. Although I think I am now decided that anything starring Michael Fassbender would be an entertaining film: I would watch Erik Lensherr: Nazi Hunter in a heartbeat.


Season of the Witch.

Terrible film. Terrible. I thought it was going to be an interesting medieval film about blaming witches for plagues, like The Black Death, but no. Oh, no. It was utterly terribly bad.

Even the Christopher Lee cameo is not enough to give me any pleasant warm feelings.


The Girl With the Dragon Tattoo/Man som hatar kvinnor.

Interesting and entertaining, if slow in parts. And occasionally brutal.


The Mummy Returns.

Entertaining, in the way that only a film that doesn't care if it makes sense can be. I really enjoyed watching it - but then, I was expecting it to be much worse.


Agora.

Watch this film. It is beautifully shot, beautifully written, beautifully acted - it is fantastic in so many ways. And not just because it is about the life and death of the philosopher Hypatia of Alexandria.

I caught myself crying in the final scenes. It's powerful, and moving, and understated, and complicated. Watch it.




And that's it for now.
hawkwing_lb: (CM JJ What you had to do)
Books 2011: 67


67. Terry Pratchett, Guards, Guards!

It's been long enough since I've read this that it probably counts as a new book. Vastly entertaining. I'd forgotten how far down Sam Vimes started.

I am sad that further adventures of Errol and his missus probably will never happen, but one can't have everything.




Swam yesterday and today. Sea temp is probably around 12 degrees, and with an air temp of around 18-20 that's plenty balmy for a nice, refreshing dip, particularly since high tide has the courtesy to be around noon, and the breeze is mild. The sea has been clear and calm as (slightly greenish) glass these last couple of days. Beautiful, if numbing.

Sadly, the weather's expected to break on Sunday and go back to being cloudy and drizzly, but at least I have acquired a small itchy mild sunburn in these few precious bright hours!

...Also, there must be something peculiar in Porterhouse Red Ale. I drank a bottle on Tuesday, I think it was, and ended up staying awake until 0530 in the morning. I drank half a bottle when I came in tonight, and was struck by the urge to go running. And I ran longer and further than I have in months. (Although not faster. Still, 18 minutes at about 5mph is not a terrible thing, and the walk back was refreshing.)
hawkwing_lb: (No dumping dead bodies)
Books 2011: 66


66. Val McDermid, The Grave Tattoo.

Fruits of a raid on the parent's stack of library books. I stopped reading McDermid about a decade ago for reasons which seemed good to me at the time, but Grave Tattoo is an interesting character-driven excursion into academic quests, historical conspiracy theories, and murder. Although the fact that murder is occuring is not made clear until about three-quarters of the way through, and the ultimately uncovered villain felt like a bit of a cop-out, to be honest. (Also, cheating POV! That was cheating! I cry foul!)

I enjoyed it, all told, even if I probably wouldn't have picked it out for myself.




Presentation tomorrow. Well, at least I'm significantly saner than last week. So I should be able to get through it. Afterwards I can think about all the other things I'm not thinking about right now.

That makes sense, right?
hawkwing_lb: (Leliana)
Books 2011: 60-65


60. Kevin Hearnes, Hounded.

Interesting, well-done urban fantasy of the Celtic flavour set in Arizona, featuring a two-thousand-year-old druid and the sword Fragarach. The Irish mythology bits were largely enjoyable rather than irritating, and the conclusion had more than sufficient kaboom to be satisfying.


61. Suzanne McLeod, The Cold Kiss of Death.

Moderately entertaining, but I am officially done with sexy vampires.


62-65. Catherine Asaro, Catch the Lightning, Diamond Star, The Ruby Dice, and The Final Key.

Asaro's science fiction novels are interesting, but they're a little too focused in the tradition of the science fiction romance for my preferences. (The Final Key isn't, but Catch the Lightning definitely is, and the other two are divided in their focus.)

Nonetheless, I find them entertaining.

Rereads:

The rest of Asaro's Skolian Imperialate SF, bunches of David Weber's Honor Harrington books. The Honor Harrington books' techsposition does not get less annoying with exposure.




I'm doing somewhat better than last week. Which is definitely something. It'll be a while before I'm properly back in harness, though.
hawkwing_lb: (It can't get any worse... today)
Books 2011: 57-59


57. Suzanne McLeod, The Sweet Scent of Blood.

First book by this author. Urban fantasy set in London. Entertaining, and relatively surprising, but I am perhaps a little down on the appearance of vampires of late. (Fortunately, the vampires do not appear as the love interest. Indeed, there does not appear to be a Main Love Interest, which is quite quite marvellous.)


non-fiction


58. Liza Picard, Dr. Johnson's London: Everyday Life in London 1740-1770. Phoenix, London, 2000.

An interesting and varied description of 18th century London. I was particularly interested in the description of London's water. For a work of history, light, lively, and entertaining.


59. Ian McBride, Eighteenth Century Ireland: The Isle of Slaves. New Gill History of Ireland, Gill & Macmillan Ltd., Dublin, 2009.

An interesting overview of the century between the Williamite settlement and the risings of 1798. The eighteenth century in Ireland is often passed lightly over, save for brief remarks upon penal legislation and 1798: to read a serious overview of the century is enlightening, to say the least.

This book places Ireland in a European context, both in terms of the Jacobite diaspora and connections with the Catholic hierarchy, and the educated Anglican and Presbyterian connections with wider European Enlightment thought. It discusses penal legislation (mostly finally repealed by 1793) and agrarian unrest in reasonable detail, and is concerned to place the unrest of the 1790s in its European context, and connect Irish thought to the influence of the ratification of the American constitution in 1788 and the actions of the National Assembly (former Third Estate) in Paris the following year.

McBride assumes a degree of knowledge concerning relations with Westminster throughout the century, wider European wars, and Grattan's parliament at College Green from 1782, that I don't possess. But much is clear from context, and in a book already 430 pages long, more detail can hardly be expected.

I enjoyed reading this more than I had expected to, and learned much that I did not know.




My reading seems to have slowed down lately. That's probably because I'm choosing to read lengthy histories of 400 pages, or more: one might legitmately find oneself slowed by that kind of endeavour. (Imagine here an image of a Dalek, but instead of a speechbubble reading EXTERMINATE, this one says EDUCATE.)

I'm presently reading Joanna Russ's The Female Man, and finding it hard going. So much of what must have been radical in 1970 seems... well, obvious, or even a little (by my lights) conservative. True equality, unthinking equality, is still, of course, a radical proposition. Nonetheless, there's a odd sort of cognitive dissonance in reading a book written as a shocking work of literature, one intended to provoke, (and moreover, a book which is conscious and intentional in attempting to provoke) and being unshocked and unprovoked.

Book, I am glad you were written. And I find your weird slipstream-style narrative interesting, and in terms of technique, fascinating. But I cannot read you and say Yes! This!, for it is wonderful how much things have changed in forty years.

Some things haven't, and in some ways you are still immensely... no, intensely relevant. But you are a piece of cultural history now, interesting book! And it is because of the weight of cultural history that I intend to read you right through to the end, rather than stopping on page 145 of the latest Gollancz edition, because - to be frank, O interesting book! (for I'm sure you'd appreciate frankness) - you don't pull at my heart.

Almost, despite the forty years that lie between us, I wish you did.
hawkwing_lb: (DA2  title screen)
Books 53-56


53. Joanna Russ, We Who Are About To...

The sad news of the writer's death spurred me to this book, which has been sitting unread on my shelf lo these last two years. It's beautiful, highly tragic, and rather thought-provoking.


non-fiction


54. Richard Holmes, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science. Harper Press, London, 2009.

This? This is fantastic history. It's a vibrant sketch of English 'natural philosophy' between about 1770 and 1830, focusing on Joseph Banks, William and Caroline Herschel, and Humphrey Davies. Holmes has a light touch and a sort of understated good humour about the period, and if he's occasionally none to firm about nailing down dates for certain throw-away lines and developments, I'm inclined to view it charitably.

The initial three-quarters of the book stand out. Joseph Banks' place on James Cook's first voyage, the ballooning craze, William Herschel, with his conviction there was life on the moon and in the sun, Caroline Herschel, a brilliant astronomer in her own right, young Humphrey Davies and the experiments with laughing gas. The later quarter, dealing with mature Humphrey Davies and the rise of people like John Herschel and Charles Babbage in English science, has a tendency to drag a little. But overall, damned interesting reading.


55. Gary A. Boyd, Dublin 1745-1922: Hospitals, Spectacle & Vice. Four Courts Press, Dublin, 2006.

A really interesting, if brief, discussion of how hospitals - primarily the Lying-In Hospital (now the Rotunda) and the Lock Hospital - related to the architecture and public development of the city. It's even remotely relevant to the interests of my thesis - in the Lying-In Hospital, patients were required to enter from the rear, the monumental front entry-way being reserved for Important Persons. Since I'm considering uses of space and entrances in antiquity, this might be something to remember.


56. Juvenal, The Satires. Oxford University Press, Oxford, 1991. Translated by Niall Rudd.

Bitter, bitter old man. It seems human nature hasn't changed much from antiquity. He has some choice quotes, though. Like: "So much stronger is the thirst for glory than for goodness. (Who, in fact, embraces Goodness herself, if you take away the rewards?)"




I have been putting off reading Philostratus. (Boring old sod.) I really oughtn't leave him any longer, much as I'd like to.

I really need to settle down to proper work, and stop running around from book to book like a dilettante on speed.




The parent has decreed that the hall must be painted in the next month. I will lay you odds on who ends up doing the majority of the painting. But it'll be nice to have a colour other than white somewhere in the house, so I daresay I won't complain too loudly.
hawkwing_lb: (No dumping dead bodies)
At approximately 0830 this morning, I jumped into the Irish Sea for the first time this year. About an hour and a half after high tide, sky grey and sea heaving, the beach deserted and a stiff breeze cutting from the north east.

Verdict? It's still too bloody cold for actual swimming. Jumping in and getting wet, though, that I can do. For maybe twenty seconds.




Books 2011: 50-52


50. Ben Aaronovitch, Moon Over Soho.

Sequel to Rivers of London. I ought to be reviewing both of these in the summer issue of Ideomancer, so all I'll say right here is READ THEM. Moon is really quite brilliant.


51. Richelle Mead, Thorn Queen.

Fluff. Entertaining fluff, but still.


non-fiction


52. Adrian Tinniswood, Pirates of Barbary. Vintage, London, 2011.

This is a vastly entertaining, clear, and informative history of the Barbary Coast pirates in their sixteenth and seventeenth century heydey. It's less narrative history than a series of illuminating vignettes, at times brushing up against imaginative recreation, as with his chapter on the raid at Baltimore. At times I really wanted more detail about one thing or another.

But Tinniswood does his best to treat his subject fairly, and extends empathy to the corsairs of Barbary as much as to their victims. He's very clear about the part that privateering played in the economy of Algiers, Tunis and Tripoli, and how this influenced both the governance of these cities and their relations with the wider world.




Over the last few days, I've watched a few films. Harry Potter and the Deathly Hallows Part 1 is entertaining, though probably entirely opaque to anyone who hasn't read the book. Confucius is a leisurely biopic, with very little to recommend it apart from Chow Yun Fat.

The Way Back is a kind of brilliant film about a bunch of people who break out of a Soviet gulag in 1941 and walk south for thousands of kilometres to get out of Soviet country and any possibility of ever ending up in a gulag again. It's based on the book The Long Walk by Slavomir Rawicz, and although the ending is a little bit more full stop than conclusion, I found it on the whole enjoyable.




I'm presently reading Juvenal's Satires and not enjoying them. Bitter, bitter old man.
hawkwing_lb: (DA 2 scaring the piss)
Books 2011: 47-49


47. Richelle Mead, Iron Crowned.

And my trend of picking up middle books of series (in this case, third and presently last) continues. Urban fantasy. Sort of. High levels of angst and sex. Not so happy with the amount of sex relative to plot, but I cannot deny the plot is entertaining.


48. Ben Aaronovitch, Rivers of London.

Published in the US as Midnight Riot, this is what the Dresden files would be if Harry Dresden had a)started out with a better sense of humour and higher levels of genre-savvy and b)was a PC in the London Met. This book has a fantastic voice and feels like London all the way to the ground. Also interesting plot developments, but I'd read it for the voice and the sheer depth of London in it anyway.


non-fiction

49. Chris Wickham, The Inheritance of Rome: A History of Europe from 400 to 1000. Penguin History of Europe, Penguin, London and New York, 2010.

This book does exactly what it says on the tin. It is a wide-ranging survey of European history - which, as and when it's appropriate, includes the Ummayads of Damascus, the Abbasids of Baghdad, and the Fatimids of Egypt in the category Europe - from the fifth to the eleventh centuries. It is divided into four parts: the break-up of the Roman Empire, 400-550; the Post-Roman West, 550-750; the Empires of the East, 550-1000; and the Carolingian and Post-Carolingian West, 750-100. These are subdivided into chapters, which deal with separate geographical, chronological, and thematic chunks of the very large amount of information Wickham aims to cover.

It is a fascinating and very readable history, and it cracked my brain open and let new light in concerning Roman and post-Roman political systems, and how each can be expected to function. The chapters which survey the Arab invasions and subsequent polities were very helpful in understanding the forces which shaped the early medieval Mediterranean, and are not always included in general surveys of this period of "European" history.

I recommend it without hesitation. I think this may be one of the best works of narrative history I've read in the last while - on point, focused, clear about its biases without being obtrusive with them, and immensely knowledgeable. Wickham dedicates it to his students - fortunate students, I would say, to have the opportunity to learn from such a mind.




I am tired and feel sick and stupid, and want very much not to have to get up tomorrow and pretend I care what college bureaucracy is doing. Particularly when they have scheduled me to invigilate during the times when I am supposed to be taking an exam after I specifically emailed to inform them of this.

Oh, well. I need the money, even if it's not nearly enough. (I need a job, but who the hell is hiring? And Tor.com has not begun to pay me for my work for them yet, which - argh! - is money I am counting on to be there. Eventually. Soon would be nice.)




When the wide world comes winding to a close
where shall we be? Who knows? That day is yet
beyond reach, unconsummated. Time flows
in one direction only, oily, wet,
impermeable to the human eye
impermeable to answers. What, why -

I saw the sibyl caged at Cumae
when every word she spoke became a lie.
This is the truth of oracles. Like us,
they guess how the dice fall before they die.


....I appear to have committed poem. I should really stop doing that in public. Or at least make sure it has a title, first.

Still, why not?
hawkwing_lb: (Helen Mirren Tempest)
Books 2011: 46


46. Petronius, The Satyricon. Oxford University Press, Oxford, 1997. Translated with an introduction and notes by P.G. Walsh.

In this fragmentary ancient novel, generally ascribed to the Petronius who was Nero's contemporary and, as Tacitus says, 'arbiter of taste,' sexual hijinks abound. The lustful interludes are interrupted by a long, lovingly-described dinner party, the famous dinner of the vulgar (and obscenely wealthy) parvenu freedman Trimalchio. It's entertaining, but its humour is mean-spirited when directed at anyone but the protagonist, the rather hapless Encolpius, and the litany of debaucheries grows rather wearing. Also, hello, humorous rape! Bloody Romans.





Climbed this afternoon. My capabilities have diminished considerably since this time last year: I'm struggling on 6As, and 6Bs are for the most part beyond me. Sigh. I need to get the discipline together to drop ten kilos, which should make hauling my heavy bones up eleven metres of wall slightly less difficult.

It was fun, though. Climbed three 6As, a 5B twice, another route whose rating was either 5B or 5C, and flailed off of three 6Bs at approximately four metres up. One of the 6Bs was rated a 5. It wasn't a 5. It really wasn't.

Sample conversation:

Me (singing, off-key, while belaying): At the sickbed of Cuchulainn, we'll never say a prayer, for the ghosts are rattling at the gate and the devil's in the chair!

M. [my climbing partner](pausing halfway up the wall): You do realise most people here probably think we're mad?

Me: They're climbers. We're climbers. Sanity is kind of an optional extra around here.

M.:...

M.: Point taken.
hawkwing_lb: (Prentiss disguised in Arthur's hall)
Books 2011: 41-45


It strikes me that I may have counted Bear's The White City twice in previous bookposts. Well, no harm. I certainly read it more than once.


41. Greg Van Eekhout, Norse Code.

A fast-paced, engaging Norse apocalypse romp starring Mist, a modern Valkyrie, and Hermod, apparently the Norse god of poking-his-nose-into-awkward-corners-and-getting-bit. Decidedly entertaining, if light.


42. Melissa Marr, Wicked Lovely.

YA. With faeries. Rather less twee than I expected, and entertaining while it lasted, but I'm not left feeling terribly pushed about reading the sequel.


43. Robert Jordan and Brandon Sanderson, Towers of Midnight.

I forgot to put this in the last bookpost. It's massive, and it continues the trend of wrapping things up and getting them pointed at The Last Battle. At this point I'm more than a little worn out by the whole thing. Book Fourteen of the WOT had damn well better has some freaking excellent payoff, because despite some moments of win- actually, Mat in the Tower of Ghenjei and Egwene's battle in Tel'aran'rhiod are pretty much the only two that stand out: Morgase could have had a moment of win, but it felt like a flop - mostly what I remember of this book is that it is massive.


non-fiction


44. Christopher I. Beckwith, Empires of the Silk Road: A History of Central Eurasia from the Bronze Age to the Present. Princeton University Press, Princeton NJ, 2009.

In any sweeping history that aims to cover three thousand years, the author must choose his central thesis carefully. In general, Beckwith does this admirably, choosing to focus first on the characteristics of what he refers to as the "Central Eurasian Culture Complex," and as the historical sources permit more detailed statements to be made, on the fundamental economic interconnectedness of the region between the Black Sea and the Eastern Steppe and the vital role of nomad kingdoms and hegemonies in creating and driving prosperity.

Beckwith takes a roughly chronological approach in his history, proceeding from the Scythians first mentioned in Herodotos down to the collapse of the Soviet Union. His writing is lucid, generally clear, and frequently entertaining. However, his sweeping statements sometimes did strike me as a little too sweeping, and in chapter 12, "Central Eurasia Reborn," he permits himself to digress into a lengthy rebuttal of theoretical and aesthetic Modernism, which does the book little good. Critique of poetry and art on aesthetic grounds does not belong in what is primarily a work of history, however interesting and thought-provoking Beckwith's position is. It is, dare I say it, aesthetically displeasing.

(I take no issue with his critique of Postmodernism. Postmodernist theory is interested only in tearing down, not in creating, which makes it very frustrating.)

That one chapter out of thirteen (and two very lengthy appendices on Proto-Indo-European diaspora and Ancient Central European Ethnonyms) is entirely auctorial soapbox detracts little from the rest of the book, though. It is a fascinating, highly readable book about a region and a set of cultures much neglected by modern English-language (European in general, I think) historiography.


45. Judith Flanders, The Invention of Murder: How the Victorians Revelled in Death and Detection and Created Modern Crime. Harper Press, London, 2011.

I thought, when I picked this book up, that the subtitle would prove to be an exaggeration. Revelled? Really?

Surprisingly, it's not. Flanders draws upon newspaper reports as well as broadsides, fiction, playbills and penny-bloods, to create a picture of how English (British, but mostly English) society of the 19th century viewed murder: the crime itself, the victims, and the (putative) perpetrators. And since newspapers, broadsides, and penny-bloods did, indeed, revel in murder, it seems their readers would share their outlook.

It's a fascinating book, bringing to light just how little evidence (in some cases, none at all, or evidence that pointed in the opposite direction) was required to get a person convicted of murder. Rumour, innuendo, or local grudges were frequently all it took to achieve a conviction - and in many cases a hanging. The chapter on secret poisonings (few to none, despite the widespread conviction that they were EPIDEMIC!!111! even - especially - among medical professionals) and burial-society insurance murder (also few to none, also widespread conviction that vasty numbers of the poor were killing their children to collect on the coffin money) is particularly illuminating.

I recommend it extremely.




Eventually, I'll have something more to say about Dragon Age 2, apart from my previous I-am-being-set-up-for-a-sequel-do-not-want rant. The more I consider it, the more I'm coming to appreciate what Bioware is striving at. Like it or not, DA2's a fine example of the videogame RPG approaching mature artform status. It has a thematic argument.

But that's a post to be made when I'm properly awake.
hawkwing_lb: (Helen Mirren Tempest)
Books 32-40


32. Elizabeth Bear, The White City.

Don Sebastian in Moscow. A beautiful little book, fascinating and painful.


33. Barbara Hambly, Dead and Buried.

The ninth Benjamin January book. An accident reveals that the Faubourg Tremé Free Coloured Militia and Burial Society are about to bury the body of an unknown white man - unknown, that is, except to Hannibal Sefton, fiddle player and January's friend. Blackmail, family secrets, and lies abound. Hambly's 1830s New Orleans has a very dark and at times almost claustrophobic atmosphere, and as usual is brilliantly described.


34. Elizabeth Moon, Kings of the North.

Dorrin Verrakai has successfully become Duke Verrakai in Tsaia. In neighbouring Lyonya, King Kieri Phelan must deal with matters of his succession and the apparently arbitrary caprice of his mysterious co-ruler, the Lady of the Ladysforrest. Meanwhile, Captain Arcolin encounters a brutal warlord claiming descent from ancient kings. All this is complicated by the reapparence of provenance-less royal regalia. Which talks.

Meh. Pick a point of view and stick with it, dear author. The leaping around leaves the resulting narrative with a strange feeling akin to aimlessness.


35. Laura Anne Gilman, Hard Magic.

CSI with magic. Fluff.


36. Mercedes Lackey, Trio of Sorcery.

A short novel and two novellas. The short novel features Di Tregard and is set in the early 1970s, the two novellas feature characters I haven't encountered before and are set in the mid-90s and approximately now, respectively. Engaging, and significantly better than anything else I've read by Lackey recently - this is far closer to Phoenix and Ashes or Black Swan than Foundation or Reserved for the Cat.


37. Steven Brust, Tiassa.

A distinctly bizarre book, stylistically, even by the standard of previous Vlad Taltos novels. I... Well. Hmm. I'll need to read it again to come to any verdict on it (which I will, because I'm supposed to be reviewing it properly for Ideomancer), but I'm far from sure, right now, if it's being perfectly clever apropos to its purpose, or whether its cleverness is the authorial equivalent of singing an opera while standing on one's head, juggling knives, in the rain, for the pure hell of it.

Either way, relies on one's previously familiarity with and affection for the characters in greater degree than previous offerings. I doubt it stands alone very well.


38. Douglas Hulick, Among Thieves.

Are we sure this is a debut novel? I mean, seriously? Because it's damn good. Thieves, imperial relics, gang warfare and politics and friendships made and broken apart - Not to mention some really tight writing.

I recommend it.


non-fiction


39. Plato, Defence of Socrates, Euthyphro, and Crito. Oxford World's Classics, OUP, Oxford, 1997. Translated with an introduction and notes by David Gallop.

Justly famous dialogues concerned law and justice, worth reading even if one disagrees with them completely.

This translation is lucid and readable, and the introduction (unlike Waterfield's to Plato's Timaeus, for a contrary example) is not only helpful for contextualising the dialogues, it's short.


40. Sandra R. Joshel, Slavery in the Roman World. Cambridge Introductions to Roman Civilisation, CUP, Cambridge, 2010.

Intended as an introductory treatment of slavery in Roman society, Joshel's work here is lively, accessible, and illuminating in useful ways. The high quality of the numerous illustrations - which are helpful without being intrusive - is an added plus.

The book is a short one, only a little over 200 pages long. It is divided into five chapters, with a glossary of commonly used terms at the back. The first chapter, "An Introduction to Roman Slavery" sets Rome and slavery in their broad historical contexts. The second chapter, "The Roman Social Order and a History of Slavery" attempts to trace the development and social role of slavery within Roman society over time. The third chapter, "The Sale of Slaves" discusses the legalities and the potential experiences involved in the sale and purchase of slaves. The fourth chapter, "The Practices of Slaveholders and the Lives of Slaves" attempts to use the available evidence to cast light on what the Roman slave, urban, elite, or rural, would actually have experienced during slavery. The fifth and final chapter, "Slaves at Work: In the Fields, the Household and the Marketplace," discusses pretty much exactly what it says on the tin, slavery and work.

As an introductory book, some of the discussion is necessarily basic, and due to the nature of the available evidence, areas of Roman social life including life as relates to slavery remain understood only sketchily. Nonetheless, I feel that this is a very solid, very readable introduction to the topic.




At the moment, in between my stressful, panicked moments*, I'm reading Beckwith's Empires of the Silk Road - and [livejournal.com profile] matociquala? Thank you for mentioning this book: it's brilliant - and looking forward to reading Flanders' The Invention of Murder. Life could be worse.




*I confess, I've taken the last three days completely off. I need a clear head to think about this progress review, and relaxation appears to be the only way to get one. Caffeine certainly wasn't working.

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