between the rock and the cold, cold sea

I have been thinking, since I read Xenophon's Anabasis, of how close the Greeks lived to those who were not Greeks. (I refuse to call them barbarians, because that merely feeds into Hellenist chauvinism.)

One of the things one forgets, when one reads 'classical' - or traditional, at least - histories of the Greeks is that the histories of Athens and Attica, Sparta and the Peleponnese, do not provide anything like a full picture of the Greek world. I forget how many city-states called themselves Greek after the Peleponnesian war, but it's something on the order of hundreds.

And these cities - some of them not even large enough to call city-states, really - occupied the islands, the Ionian coast of Asia Minor, where most of them spent time under the authority of Persian satraps and alongside Persian modes of living, and the coast of the Dardanelles and Black Sea. And this is interesting, because the Anabasis made it clear that along the Black Sea and up into Thrace, the Greek communities lived very close to non-Greek communities, at war or at peace with them depending on the season and who was passing through.

And it occured to me, you know - I don't think I've seen this sort of set-up done well in fiction, have I? Fantasy does feudaloid, medievaloid, and imperial, standard, and a couple of other permutations (mostly Chinese and/or Norse related, that I can think of) if you're lucky. But I am trying to think of sort of interestingly Greekish fantasy, and coming up blank.

Anyone?

So, here's a thought I had while trudging through my reams of notes and books by people you've never heard of: an academic history book is like science fiction.

No, really. It is.

I assume anyone reading this journal has cracked the spine of a history book more than once. Probably, you're aware of the distinctions between the ones directed at a scholarly audience, and the ones directed more broadly. Popular (or introductory: although the handful of Actual Textbooks I have had the misfortune to encounter have all been written in the most graceless style and prose) books are careful not to give you more information than you can expect to digest: they simplify, sometimes appallingly, and very often they fail to engage with the fundamental arguments that inform modern scholarship at anything more than the most superficial level.

Books for a scholarly audience, on the other hand…

Not so very long ago, I read Marcus Rediker's Between the Devil and the Deep Blue Sea, a history of the maritime world between 1700 and 1750. It's a very solid work of history, but I came to it cold, with no background in the area, and found myself in the midst of an ongoing conversation which was clearly engaging not only with its subject, but with other work done in the field, and so I feel damn sure that I lost half of what that book was saying through not being able to follow the references.

A couple of days ago, I was reading a chapter from - oh, it must have been The Villages of Roman Britain, a tiny wee book, no more than fifty pages long. But it assumed a level of knowledge and engagement in the conversation - familiarity with, at least, Wacher's work on the towns and "small towns" of Roman Britain, and the Iron Age background, and how that informs scholarly discussion of villages and agriculture and "villas", and why the terms in inverted commas are in inverted commas. And I had sufficient level of knowledge to follow the conversation, if not, quite, to make my own points.

And so it occurred to me that history is like science fiction. There are books that throw you in the deep end, to sink or to swim, to follow a bewildering array of connections and references and terms and characters, concerned with a world that is entirely alien. To follow academic history in its native environment requires many of the same reading protocols one uses to infer sense and meaning in the background of a science fiction or fantasy novel: the ability to fill in the gaps with inference and extrapolation; to read meaning into widely-scattered signs and symbols, and crack one's brain open to attempt to understand alien ways of looking at the world.

And there are books that downplay the strangeness, and go steadily forward, neither inspired nor disappointing, but lacking a certain depth and scope.

So this is the extent of my thought. Yours?