Progress Wednesday 27 JuneThe duellist of AlusindNew words: 1,098
Words total: 19,300
Reasons for stopping: quota, the approach of Thursday
Refreshment: Water, strawberry chocolate.
Exercise: About two, three miles round trip on the bike.
( bike rambling )Darling du jour: She called his name from the front step and tossed [the pendant] to him, the iron light of overcast morning glittering from the silver as it fell.Typo du jour: N/A
Words Word doesn't know: afield
Books in progress: Mark van de Mieroop,
A History of the Ancient Near East.
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Books 95-98, Fiction 90-93.
90. Nina Kiriki Hoffman, The Silent Strength of Stones.Hoffman's books, from what I've read of them so far, are strangely gentle. This is no exception. Nick, the son of a motel owner at Sauterelle Lake, entertains himself by spying on holiday-makers at the lake. When he discovers a strange family staying nearby, things become interesting. A wolf in the woods, people who can do magic, the bittersweet resolution of an old family rift...
It's a kind book, and a hopeful one. I don't like it as much as
The Thread That Binds the Bones or
Spirits That Walk in Shadow, but it's quiet, and contained, and lovely.
91. Ilona Andrews, Magic Bites.This is urban fantasy with a - what's the Americanism? ah, yes - kickass female heroine. But not, thankfully, urban-fantasy-with-kickass-female-heroine of the legion of wish-fulfillment vampire sex books. The heroine, Kate, is capable and capably violent - perhaps a little too capable, all in all, but I don't read urban fantasy for the realism. When her guardian is murdered, she becomes involved in tracking down the killer.
Andrews is fortunately inovative in her world-building. Vampires are pretty much mindless without a necromantic handler; magic and technology work at alternating intervals, and the structure of the world's response to supernatural threats is quite believeable.
A good book, decently crunchy light reading.
92. Tanya Huff, Smoke and AshesAnother urban fantasy. Huff does good storytelling in the latest book focusing on Tony Foster, half-trained wizard and now Trainee Assistant Director on a syndicated vampire detective television show. There's a Demonic Convergence happening in Vancouver, and Tony, along with vampire Henry Fitzroy, is humanity's first line of defence.
Good stuff.
93. Elizabeth Bear, New Amsterdam.I'm a little in awe of this book. Or, to tell the truth, I'm quite a bit in awe.
It's a mosaic novel, a series of stories following wampyr and Great Detective Sebastien de Ulloa, and Crown Investigator Abigail Irene Garrett, in a late nineteenth century world where magic works and the American colonies never gained their independence. It's complex and marvellous, full of fraught relationships and weighted silences, and Bear's prose, is, as usual, richly luminous.
Also, it has airships. What's not to love?
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There's a line from "Lumière", the concluding novella of
New Amsterdam, that set me to thinking. Of his means of sustenance, the wampyr Sebastien acknowledges that
The blood was only a metaphor. [pg 216 of the hardback]
That line, to my mind, sums up everything about the vampire that is other. The vampire as the creature of the night, the vampire as predator and seducer, monster and lover and nightmare and dream.
A lot of writers defang the vampire. Make them easy, safe, understandable. The need for blood becomes an odd dietary requirement. The fangs, the undeath, they become mechanistic. Bloodless, almost.
But the vampire is the archetype, one of the faces humanity puts to the unknowable dark. And the blood
is only the metaphor.
Because vampires aren't about the blood.
They're about what the blood
means.
And the meaning of blood is rarely safe.